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Johann Liss - Sitzender Kavalier mit Federhut von vorne

Sitzender Kavalier mit Federhut von vorne

Johann Liss (German, c. 1597-1631)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1631 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Johann Liss (also called Jan Lys) was a leading German Baroque painter of the 17th century, active mainly in Venice.

Liss was born in Oldenburg (Holstein) in Schleswig-Holstein, Germany. After an initial education in his home state, he continued his studies, according to Houbraken, with Hendrick Goltzius in Haarlem and Amsterdam. Around 1620 he travelled through Paris to Venice. He moved to Rome around 1620–1622, and his first works there were influenced by the style of Caravaggio.

Although his earlier work was concerned with the contrasts of light and shadow, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface. In 1627, he was created an admired large altarpiece, the Inspiration of Saint Jerome in San Nicolò da Tolentino. His loose brushstrokes seem precursor to rococo styles of Guardi brothers. This final style, along with that of other "foreign" painters residing in Venice, Domenico Fetti and Bernardo Strozzi, represent the first inroads of Baroque style into the republic.

Liss fled to Verona to escape the plague spreading in Venice, but succumbed there prematurely in 1629. According to Houbraken, he worked day and night on his paintings, so that Joachim von Sandrart felt that his health was at risk and urged him to join him in Rome.

His legacy is as a painter of both sensuous mythological and pious biblical subjects, a master of colors and Baroque painting. He was most influential to Venetian 18th-century painters like Sebastiano Ricci, Giovanni Battista Tiepolo and Giovanni Piazzetta.

Joachim von Sandrart wrote in 1675 that "because he fared well in Venice, he soon returned there ... he died along with many others during the plague that began in 1629."

More Artworks by Johann Liss

Cupid (Amor)

Cupid (Amor) (c. 1630)

Johann Liss (German, c. 1597-1631)
Allegory of Christian Belief

Allegory of Christian Belief (c. 1622)

Johann Liss (German, c. 1597-1631)
The Satyr and the Peasant

The Satyr and the Peasant (possibly c. 1623-1626)

Johann Liss (German, c. 1597-1631)
Head of a cavalier

Head of a cavalier

Johann Liss (German, c. 1597-1631)
Seated Male Nude

Seated Male Nude (early 17th century)

Johann Liss (German, c. 1597-1631)
The Prodigal Son

The Prodigal Son

Johann Liss (German, c. 1597-1631)
The Temptation of Saint Mary Magdalen

The Temptation of Saint Mary Magdalen (ca. 1626)

Johann Liss (German, c. 1597-1631)
Nymph and Shepherd

Nymph and Shepherd (ca. 1625)

Johann Liss (German, c. 1597-1631)
The Prodigal Son

The Prodigal Son

Johann Liss (German, c. 1597-1631)
The Concert

The Concert (early 17th century)

Johann Liss (German, c. 1597-1631)

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