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Ferdinand Hodler - Sitting Man With Guitar

Sitting Man With Guitar

Ferdinand Hodler (Swiss, 1853-1918)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1918 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Ferdinand Hodler

Ferdinand Hodler was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

Hodler was born in Bern, the eldest of six children. His father, Jean Hodler, made a meager living as a carpenter; his mother, Marguerite (née Neukomm), was from a peasant family. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis. His mother remarried, to a decorative painter named Gottlieb Schüpach who had five children from a previous marriage. The birth of additional children brought the size of Hodler's family to thirteen.

The family's finances were poor, and the nine-year-old Hodler was put to work assisting his stepfather in painting signs and other commercial projects. After the death of his mother from tuberculosis in 1867, Hodler was sent to Thun to apprentice with a local painter, Ferdinand Sommer. From Sommer, Hodler learned the craft of painting conventional Alpine landscapes, typically copied from prints, which he sold in shops and to tourists.

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzfäller, 1910, Musée d'Orsay, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.

More Artworks by Ferdinand Hodler (View all 63 Artworks)

Single Figure Study For ‘gaze Into Infinity’

Single Figure Study For ‘gaze Into Infinity’

Ferdinand Hodler (Swiss, 1853-1918)
Ergriffenheit

Ergriffenheit (1900)

Ferdinand Hodler (Swiss, 1853-1918)
Zwei Studien zu Krieger

Zwei Studien zu Krieger

Ferdinand Hodler (Swiss, 1853-1918)
Student Putting on His Coat

Student Putting on His Coat (1908)

Ferdinand Hodler (Swiss, 1853-1918)
Portrait Of Marie Elise Bernhard-Hodler

Portrait Of Marie Elise Bernhard-Hodler (1917)

Ferdinand Hodler (Swiss, 1853-1918)
Walk Along The Border Of A Wood

Walk Along The Border Of A Wood

Ferdinand Hodler (Swiss, 1853-1918)
Hector Posing Nude

Hector Posing Nude (1901)

Ferdinand Hodler (Swiss, 1853-1918)
Kunsthaus Zürich, Ferdinand Hodler, 14. Juni bis 5. August 1917

Kunsthaus Zürich, Ferdinand Hodler, 14. Juni bis 5. August 1917 (1917)

Ferdinand Hodler (Swiss, 1853-1918)
Secession. 19. Ausstellung der Vereinigung Bildender Künstler Österreichs

Secession. 19. Ausstellung der Vereinigung Bildender Künstler Österreichs (1904)

Ferdinand Hodler (Swiss, 1853-1918)
Reading Priest

Reading Priest

Ferdinand Hodler (Swiss, 1853-1918)
Portrait of Hélène Weiglé

Portrait of Hélène Weiglé (1888)

Ferdinand Hodler (Swiss, 1853-1918)
The Bold Woman

The Bold Woman (1888)

Ferdinand Hodler (Swiss, 1853-1918)
Bildnis einer Unbekannten (Berner Mädchen)

Bildnis einer Unbekannten (Berner Mädchen) (circa 1898)

Ferdinand Hodler (Swiss, 1853-1918)
Woodcutter

Woodcutter (1910)

Ferdinand Hodler (Swiss, 1853-1918)
Ausgabe C in 5 Bde.

Ausgabe C in 5 Bde. (1919)

Ferdinand Hodler (Swiss, 1853-1918)
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