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James Seymour - Sir Sidney Meadows Schooling a Horse

Sir Sidney Meadows Schooling a Horse

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1752 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

James Seymour was an English painter, widely recognized for his equestrian art.

Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period.

Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's love for horses and art proved great, and his will would later establish an equestrian statue in Hampshire. In time, Seymour's work and fame had spread throughout Europe and America.

Though ultimately his love for horseracing led to his financial ruin, Seymour still ranks among the most important early sporting artists, together with John Wootton and Peter Tillemans being considered one of the three founders of the sporting school.

More Artworks by James Seymour (View all 85 Artworks)

Hind Legs and Tail of a Horse

Hind Legs and Tail of a Horse

James Seymour (English, 1697-1752)
Lord Portmore’s ‘Snap’, a saddled chestnut hunter held by a groom, with a setter in a landscape

Lord Portmore’s ‘Snap’, a saddled chestnut hunter held by a groom, with a setter in a landscape (1743)

James Seymour (English, 1697-1752)
One of Four Portraits of Horses, a Chestnut Racehorse with Jockey Up- walking to the left; jockey i…

One of Four Portraits of Horses, a Chestnut Racehorse with Jockey Up- walking to the left; jockey i…

James Seymour (English, 1697-1752)
Racehorse with Jockey Up; Galloping, Seen from the Near-Side; the Jockey Holds a Switch

Racehorse with Jockey Up; Galloping, Seen from the Near-Side; the Jockey Holds a Switch

James Seymour (English, 1697-1752)
Head of a Horse, Facing Left

Head of a Horse, Facing Left

James Seymour (English, 1697-1752)
Two Saddled Horses in Stalls in a Stable

Two Saddled Horses in Stalls in a Stable

James Seymour (English, 1697-1752)
Coursing – After the Kill

Coursing – After the Kill

James Seymour (English, 1697-1752)
Setting Off for the Chase; The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Setting Off for the Chase; The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

James Seymour (English, 1697-1752)
A Hare Running, with Ears Pricked

A Hare Running, with Ears Pricked

James Seymour (English, 1697-1752)
Racehorse at Exercise, Ridden by a Training-Groom

Racehorse at Exercise, Ridden by a Training-Groom

James Seymour (English, 1697-1752)
The Famous Childers

The Famous Childers

James Seymour (English, 1697-1752)
A Hound Tethered to a Tree Stump

A Hound Tethered to a Tree Stump

James Seymour (English, 1697-1752)
Studies of a Jockey Whipping-On

Studies of a Jockey Whipping-On

James Seymour (English, 1697-1752)
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

James Seymour (English, 1697-1752)
Study of a Mounted Jockey, Facing Left, June 3rd, 1744

Study of a Mounted Jockey, Facing Left, June 3rd, 1744 (1744)

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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