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Salvator Rosa - Sheet of Satirical Studies (Amorini Riding Phalli)

Sheet of Satirical Studies (Amorini Riding Phalli) (c. 1650s)

Salvator Rosa (Italian, 1615-1673)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1673 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Salvator Rosa

Salvator Rosa was an Italian Baroque painter, poet, and printmaker, who was active in Naples, Rome, and Florence. As a painter, he has been described as "unorthodox and extravagant" as well as being a "perpetual rebel" and a proto-Romantic.

Rosa was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21, 1615. His mother was Giulia Greca Rosa, a member of one of the Greek families of Sicily. His father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi Fathers. Yet Salvator showed a preference for the arts and secretly worked with his maternal uncle Paolo Greco to learn about painting. He soon transferred himself to the tutelage of his brother-in-law Francesco Fracanzano, a pupil of Ribera, and afterward to either Aniello Falcone, a contemporary of Domenico Gargiulo, or to Ribera.

During Rosa's lifetime his work inspired followers such as Giovanni Ghisolfi, but his most lasting influence was on the later development of romantic and picturesque traditions within painting. Eighteenth-century artists influenced by Rosa include Alessandro Magnasco, Andrea Locatelli, Giovanni Paolo Panini and Marco Ricci. As Wittkower states, it is in his landscapes, not his grand historical or religious dramas, that Rosa truly expresses his innovative abilities most graphically.

Rosa's reputation and influence waned in the nineteenth century; when his Monks Fishing was displayed in Dulwich in 1843 it was criticized by John Ruskin as telling "unmitigated falsehoods" and containing "laws of nature set at open defiance". Since the 1960s, Rosa's work has received renewed attention from scholars.

More Artworks by Salvator Rosa (View all 162 Artworks)

Old Man Kneeling Facing Upper Left

Old Man Kneeling Facing Upper Left (1615–73)

Salvator Rosa (Italian, 1615-1673)
Man Standing, with Arm Raised, Pointing Toward the Left

Man Standing, with Arm Raised, Pointing Toward the Left (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Drawings of Classical Figures

Drawings of Classical Figures (mid-17th century)

Salvator Rosa (Italian, 1615-1673)
Study for a Judgment of Paris and Other Figure Studies

Study for a Judgment of Paris and Other Figure Studies (1615–73)

Salvator Rosa (Italian, 1615-1673)
Personnages autour d’une table

Personnages autour d’une table

Salvator Rosa (Italian, 1615-1673)
Two Soldiers, One Seated on a Square Stone

Two Soldiers, One Seated on a Square Stone (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Soldier with Cane, Facing Right

Soldier with Cane, Facing Right (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Study for a Prometheus Bound

Study for a Prometheus Bound (1615–73)

Salvator Rosa (Italian, 1615-1673)
Landscape with hills and a lake, trees in right foreground

Landscape with hills and a lake, trees in right foreground (1615–73)

Salvator Rosa (Italian, 1615-1673)
Man with Fishing Net and Two Other Figures

Man with Fishing Net and Two Other Figures (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
The Founding of Thebes

The Founding of Thebes (1630 – 1661)

Salvator Rosa (Italian, 1615-1673)
The Witches’ Sabbath

The Witches’ Sabbath

Salvator Rosa (Italian, 1615-1673)
Glaucus and Scylla

Glaucus and Scylla (circa 1661)

Salvator Rosa (Italian, 1615-1673)
Saint Humphrey (Onuphrius)

Saint Humphrey (Onuphrius) (c. 1660)

Salvator Rosa (Italian, 1615-1673)
Three bathers undressing

Three bathers undressing

Salvator Rosa (Italian, 1615-1673)
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License: All public domain files can be freely used for personal and commercial projects. .
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