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Ferdinand Hodler - Schloss Schadau Mit Kirche Von Scherzlingen Und Blüemlisalp

Schloss Schadau Mit Kirche Von Scherzlingen Und Blüemlisalp

Ferdinand Hodler (Swiss, 1853-1918)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1918 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Ferdinand Hodler

Ferdinand Hodler was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".

Hodler was born in Bern, the eldest of six children. His father, Jean Hodler, made a meager living as a carpenter; his mother, Marguerite (née Neukomm), was from a peasant family. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis. His mother remarried, to a decorative painter named Gottlieb Schüpach who had five children from a previous marriage. The birth of additional children brought the size of Hodler's family to thirteen.

The family's finances were poor, and the nine-year-old Hodler was put to work assisting his stepfather in painting signs and other commercial projects. After the death of his mother from tuberculosis in 1867, Hodler was sent to Thun to apprentice with a local painter, Ferdinand Sommer. From Sommer, Hodler learned the craft of painting conventional Alpine landscapes, typically copied from prints, which he sold in shops and to tourists.

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzfäller, 1910, Musée d'Orsay, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.

More Artworks by Ferdinand Hodler (View all 63 Artworks)

Bildnis einer Unbekannten (Berner Mädchen)

Bildnis einer Unbekannten (Berner Mädchen) (circa 1898)

Ferdinand Hodler (Swiss, 1853-1918)
The Disillusioned One

The Disillusioned One (1892)

Ferdinand Hodler (Swiss, 1853-1918)
Waterfall In The Savoy Region

Waterfall In The Savoy Region

Ferdinand Hodler (Swiss, 1853-1918)
Landschaft in den Schweizer Alpen

Landschaft in den Schweizer Alpen

Ferdinand Hodler (Swiss, 1853-1918)
Gaze Into Infinity (Head Study)

Gaze Into Infinity (Head Study)

Ferdinand Hodler (Swiss, 1853-1918)
A Woman

A Woman (1910)

Ferdinand Hodler (Swiss, 1853-1918)
Portrait Of The Model Giulia Leonardi

Portrait Of The Model Giulia Leonardi (1910)

Ferdinand Hodler (Swiss, 1853-1918)
Montana Landscape With Becs De Bosson And Vallon De Réchy

Montana Landscape With Becs De Bosson And Vallon De Réchy (1915)

Ferdinand Hodler (Swiss, 1853-1918)
Day (Truth)

Day (Truth) (1896-98)

Ferdinand Hodler (Swiss, 1853-1918)
The Speaker

The Speaker

Ferdinand Hodler (Swiss, 1853-1918)
The angry warrior

The angry warrior

Ferdinand Hodler (Swiss, 1853-1918)
Lake Champfèr

Lake Champfèr

Ferdinand Hodler (Swiss, 1853-1918)
Holy Hour

Holy Hour (1910)

Ferdinand Hodler (Swiss, 1853-1918)
The Church Of Rümlingen

The Church Of Rümlingen (1875)

Ferdinand Hodler (Swiss, 1853-1918)
View Into Infinity, Single Figure

View Into Infinity, Single Figure (1913)

Ferdinand Hodler (Swiss, 1853-1918)
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License: All public domain files can be freely used for personal and commercial projects.
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