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Edward Francis Burney - River Landscape with Boats

River Landscape with Boats

Edward Francis Burney (English, 1760-1848)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1848 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Edward Francis Burney

Edward Francis Burney was an English artist. His middle name is sometimes given as "Francisco" or "Francesco".

Burney was born in Worcester on 7 September 1760, the son of Richard Burney and Elizabeth Humphries. The musicologist Charles Burney was his uncle and the writer Frances (or "Fanny") Burney was his cousin. He studied at the Royal Academy Schools from 1776, where he received encouragement from Sir Joshua Reynolds.

He exhibited at the Royal Academy from 1780 until 1803. His work included historical subjects and portraits of friends and family. A portrait of his cousin Frances was engraved as a frontispiece to her works, and in 1780 he exhibited three drawings illustrating her novel Evelina, which were engraved for a 1791 edition of the work. Much of his work was done for book illustrations, including a series for an edition of Milton's Paradise Lost.

In the 1820s Burney painted four large watercolours satirising contemporary musical and social life: The Waltz, The Elegant Establishment for Young Ladies (both Victoria and Albert Museum), Amateurs of Tye-Wig Music and The Glee Club; or, The Triumph of Music (both Yale Center for British Art), possibly with the intention of publishing prints after them. They were never engraved, but he did work up Amateurs of Tye-Wig Music into an oil painting, now in the collection of the Tate Gallery. The picture draws on the debate over the relative virtues of modern music (exemplified by Beethoven and Mozart) as against that of earlier composers, such as Handel, whose bust overlooks the ramshackle band of musicians in the painting, and Corelli, one of whose pieces they are playing. Burney's uncle Charles took a leading part in the argument, on the side of the modernists.

Burney died in London on 16 December 1848, at the age of 88. He never married.

More Artworks by Edward Francis Burney (View all 120 Artworks)

View near Bristol

View near Bristol

Edward Francis Burney (English, 1760-1848)
Madonna and Child

Madonna and Child

Edward Francis Burney (English, 1760-1848)
Illustration for The New Doll; Let me Have It in my Own Hands

Illustration for The New Doll; Let me Have It in my Own Hands (1825)

Edward Francis Burney (English, 1760-1848)
Allegory for Fall

Allegory for Fall

Edward Francis Burney (English, 1760-1848)
Hilly Landscape with House

Hilly Landscape with House

Edward Francis Burney (English, 1760-1848)
Love Vindicated (L’Amour Vinqe’)

Love Vindicated (L’Amour Vinqe’)

Edward Francis Burney (English, 1760-1848)
Horse Cart

Horse Cart

Edward Francis Burney (English, 1760-1848)
Study for the Figure of St. Paul

Study for the Figure of St. Paul

Edward Francis Burney (English, 1760-1848)
MacBeth; The Banquet Scene – MacBeth, Act II, Scene IV

MacBeth; The Banquet Scene – MacBeth, Act II, Scene IV

Edward Francis Burney (English, 1760-1848)
Norbury Park

Norbury Park

Edward Francis Burney (English, 1760-1848)
Amateurs of Tye-Wig Music

Amateurs of Tye-Wig Music (ca. 1800-1815)

Edward Francis Burney (English, 1760-1848)
Pastural

Pastural

Edward Francis Burney (English, 1760-1848)
Illustration for The New Doll; How Pretty it Is

Illustration for The New Doll; How Pretty it Is

Edward Francis Burney (English, 1760-1848)
River Landscape with Bridge

River Landscape with Bridge

Edward Francis Burney (English, 1760-1848)
View at Rympton

View at Rympton

Edward Francis Burney (English, 1760-1848)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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