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Paul Gavarni - Reverie

Reverie

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Voilà un fénéant qui dort et qui laisse une pauv’ femme danser toute la nuit

Voilà un fénéant qui dort et qui laisse une pauv’ femme danser toute la nuit (1840)

Paul Gavarni (French, 1804-1866)
C’est bien drôle que ma femme devait diner chez Maman Coquardeau et que je n’y trouve que les petits. c’est bien drô

C’est bien drôle que ma femme devait diner chez Maman Coquardeau et que je n’y trouve que les petits. c’est bien drô (1840)

Paul Gavarni (French, 1804-1866)
Ah Ça décidément Caroline est folle du petit anglais

Ah Ça décidément Caroline est folle du petit anglais (1840)

Paul Gavarni (French, 1804-1866)
Ah c’est avec Julia qu’Henry m’a trompée. on sera manche à manche, ma petite

Ah c’est avec Julia qu’Henry m’a trompée. on sera manche à manche, ma petite (1840)

Paul Gavarni (French, 1804-1866)
Ronde-major

Ronde-major

Paul Gavarni (French, 1804-1866)
Ah c’est le jeune homme dont tu m’as parlé. faut faire monter un lit dans une chambre d’en haut, v’la tout

Ah c’est le jeune homme dont tu m’as parlé. faut faire monter un lit dans une chambre d’en haut, v’la tout (1840)

Paul Gavarni (French, 1804-1866)
Masks and faces, 5; Sharers, You have never in my life given me anything but a little dog . . .

Masks and faces, 5; Sharers, You have never in my life given me anything but a little dog . . . (1852)

Paul Gavarni (French, 1804-1866)
Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été

Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été (1840)

Paul Gavarni (French, 1804-1866)
Plus que ça se giberne

Plus que ça se giberne

Paul Gavarni (French, 1804-1866)
V’là un gueux de petit pékin qui se divertit au bal

V’là un gueux de petit pékin qui se divertit au bal (1840)

Paul Gavarni (French, 1804-1866)
Toujours jolie

Toujours jolie

Paul Gavarni (French, 1804-1866)
Man seated at table, holding drink

Man seated at table, holding drink

Paul Gavarni (French, 1804-1866)
Faut que je voye après mon poulet. voyons Monsieur Charmé ne fais pas de bêtises

Faut que je voye après mon poulet. voyons Monsieur Charmé ne fais pas de bêtises (1840-1841)

Paul Gavarni (French, 1804-1866)
Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête..

Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête.. (1838-1840)

Paul Gavarni (French, 1804-1866)
Voyez-vous, Mademoiselle, il se tient sur votre compte des propos qui commencent à m’ennuyer fort

Voyez-vous, Mademoiselle, il se tient sur votre compte des propos qui commencent à m’ennuyer fort

Paul Gavarni (French, 1804-1866)
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