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Samuel Palmer - Pistil Mawddach, North Wales

Pistil Mawddach, North Wales (between 1835 and 1836)

Samuel Palmer (English, 1805-1881)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1881 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Samuel Palmer

Samuel Palmer was a British landscape painter, etcher and printmaker. He was also a prolific writer. Palmer was a key figure in Romanticism in Britain and produced visionary pastoral paintings.

Palmer, who was born in Surrey Square off the Old Kent Road in Newington, London, was the son of a bookseller and sometime Baptist minister, and was raised by a pious nurse. Palmer painted churches from around age twelve, and first exhibited Turner-inspired works at the Royal Academy at the age of fourteen. He had little formal training, and little formal schooling, although he was educated briefly at Merchant Taylors' School.

Through John Linnell, he met William Blake in 1824. Blake's influence can be seen in work he produced over the next ten years and generally reckoned to be his greatest. The works were landscapes around Shoreham, near Sevenoaks in the west of Kent.

From the early 1860s he gained some measure of critical success for his later landscapes, which had a touch of the early Shoreham work about them – most notable is the etching of The Lonely Tower (1879). He became a full member of the Water Colour Society in 1854, and its annual show gave him a yearly goal to work towards.

His best late works include a series of large watercolours illustrating Milton's poems L'Allegro and Il Penseroso and his etchings, a medium in which he worked from 1850 onwards, including a set illustrating Virgil.

Palmer's later years were darkened by the death in 1861, at the age of 19, of his elder son Thomas More Palmer – a devastating blow from which he never fully recovered. He lived in various places later in his life, including a small cottage and an unaffordable villa both in Kensington, where he lived at 6 Drouro Place, then a cottage at Reigate. But it was only when a small measure of financial security came his way, that was he able to move to Furze Hill House in Redhill, Surrey, from 1862. He could not afford to have a daily newspaper delivered to Redhill, suggesting that his financial circumstances there were still tight.

Samuel Palmer died in Redhill, Surrey, and is buried with his wife in Reigate churchyard.

More Artworks by Samuel Palmer (View all 85 Artworks)

The early ploughman

The early ploughman (1858-1860)

Samuel Palmer (English, 1805-1881)
The Barns

The Barns

Samuel Palmer (English, 1805-1881)
The Rock Slip near Boscastle

The Rock Slip near Boscastle

Samuel Palmer (English, 1805-1881)
At Hailsham, Sussex; a Storm Approaching

At Hailsham, Sussex; a Storm Approaching (1821)

Samuel Palmer (English, 1805-1881)
Ancient Trees, Lullingstone Park

Ancient Trees, Lullingstone Park (1828)

Samuel Palmer (English, 1805-1881)
Old Cedar Tree in Botanic Garden, Chelsea

Old Cedar Tree in Botanic Garden, Chelsea (1854)

Samuel Palmer (English, 1805-1881)
A Pastoral Scene

A Pastoral Scene (1835)

Samuel Palmer (English, 1805-1881)
Rome from San Spirito

Rome from San Spirito

Samuel Palmer (English, 1805-1881)
A Pastoral Scene

A Pastoral Scene

Samuel Palmer (English, 1805-1881)
Study for ‘The Shearers’

Study for ‘The Shearers’ (between 1833 and 1834)

Samuel Palmer (English, 1805-1881)
Rocky Landscape in Wales

Rocky Landscape in Wales (1835)

Samuel Palmer (English, 1805-1881)
The Timber Wain

The Timber Wain (between 1833 and 1834)

Samuel Palmer (English, 1805-1881)
The good farmer

The good farmer (1865)

Samuel Palmer (English, 1805-1881)
Italian Hill Town

Italian Hill Town (after 1838)

Samuel Palmer (English, 1805-1881)
A Barn with a Mossy Roof, Shoreham

A Barn with a Mossy Roof, Shoreham

Samuel Palmer (English, 1805-1881)
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View all 85 Artworks

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