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Charles François Daubigny - Paysage Stade de création étude

Paysage Stade de création étude

Charles François Daubigny (French, 1817-1878)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1878 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Charles François Daubigny

Charles-François Daubigny was one of the painters of the Barbizon school, and is considered an important precursor of impressionism.

He was also a prolific printmaker, mostly in etching but also as one of the main artists to use the cliché verre technique.

Daubigny was born in Paris, into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny.

Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Isère). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet.

In 1866 Daubigny visited England, eventually returning because of the Franco-Prussian war in 1870. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cézanne, another important Impressionist. It is assumed that these younger painters were influenced by Daubigny.

His most ambitious canvases are Springtime (1857), in the Louvre; Borde de la Cure, Morvan (1864); Villerville sur Mer (1864); Moonlight (1865); Auvers-sur-Oise (1868); and Return of the Flock (1878). He was named by the French government as an Officer of the Legion of Honor.

Daubigny died in Paris. His remains are interred at cimetière du Père-Lachaise (division 24). His followers and pupils included his son Karl (who sometimes painted so well that his works are occasionally mistaken for those of his father), Achille Oudinot, Hippolyte Camille Delpy, Albert Charpin and Pierre Emmanuel Damoye.

More Artworks by Charles François Daubigny (View all 149 Artworks)

Auvers, le Plumets

Auvers, le Plumets

Charles François Daubigny (French, 1817-1878)
The Shepherd and the Shepherdess

The Shepherd and the Shepherdess (1874)

Charles François Daubigny (French, 1817-1878)
The Dunes at Camiers

The Dunes at Camiers (1871)

Charles François Daubigny (French, 1817-1878)
A River Landscape with Storks

A River Landscape with Storks (1864)

Charles François Daubigny (French, 1817-1878)
A Pond in the Morvan

A Pond in the Morvan (1869)

Charles François Daubigny (French, 1817-1878)
The Goatherd Girl

The Goatherd Girl (1862)

Charles François Daubigny (French, 1817-1878)
Étang d’Optevoz

Étang d’Optevoz

Charles François Daubigny (French, 1817-1878)
The Shower

The Shower (c. 1851)

Charles François Daubigny (French, 1817-1878)
Le Verger

Le Verger (1868)

Charles François Daubigny (French, 1817-1878)
Les Hauts de Villerville Titre inscrit à l’inventaire Paysage

Les Hauts de Villerville Titre inscrit à l’inventaire Paysage

Charles François Daubigny (French, 1817-1878)
Man Mending Scythe

Man Mending Scythe (c. 1862)

Charles François Daubigny (French, 1817-1878)
Beach at Ebb Tide

Beach at Ebb Tide (c. 1850 - c. 1878)

Charles François Daubigny (French, 1817-1878)
Bridge

Bridge (1862)

Charles François Daubigny (French, 1817-1878)
The Boat in Conflans

The Boat in Conflans (1866)

Charles François Daubigny (French, 1817-1878)
Stags at the water’s edge

Stags at the water’s edge (1850)

Charles François Daubigny (French, 1817-1878)
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