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Paul Gavarni - Paris, le 26 octobre, 1841

Paris, le 26 octobre, 1841

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl

Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl (1838-1840)

Paul Gavarni (French, 1804-1866)
Tu te respectes trop, n’est-ce pas Pour avoir une maîtresse à toi

Tu te respectes trop, n’est-ce pas Pour avoir une maîtresse à toi (1840-1841)

Paul Gavarni (French, 1804-1866)
Un roman nouveau, un jeune amour, une vieille pipe

Un roman nouveau, un jeune amour, une vieille pipe (1840-1841)

Paul Gavarni (French, 1804-1866)
Avoir perdu ses plus belles années, tout ce qu’on avait d’illusion, de simplicité de coeur, beauté. jeunesse

Avoir perdu ses plus belles années, tout ce qu’on avait d’illusion, de simplicité de coeur, beauté. jeunesse

Paul Gavarni (French, 1804-1866)
Mon cher ami je suis en affaire, avec mon oncle

Mon cher ami je suis en affaire, avec mon oncle (1839-1841)

Paul Gavarni (French, 1804-1866)
Payes-tu cher à l’hôtel

Payes-tu cher à l’hôtel (1840-1841)

Paul Gavarni (French, 1804-1866)
Qu’est ce que tu lis là

Qu’est ce que tu lis là

Paul Gavarni (French, 1804-1866)
Les femmes donnent au diable les romans

Les femmes donnent au diable les romans (1839)

Paul Gavarni (French, 1804-1866)
Faut que je voye après mon poulet. voyons Monsieur Charmé ne fais pas de bêtises

Faut que je voye après mon poulet. voyons Monsieur Charmé ne fais pas de bêtises (1840-1841)

Paul Gavarni (French, 1804-1866)
M’man n’y est pas, parce que tu rentres avant cinq heures, puisque si tétais pas revenu avant cinq heures, n’y avait p

M’man n’y est pas, parce que tu rentres avant cinq heures, puisque si tétais pas revenu avant cinq heures, n’y avait p (1838-1840)

Paul Gavarni (French, 1804-1866)
Essaie un peu de ne pas me mener à tous les jugements, quand tu seras Procureur du roi, et tu verras

Essaie un peu de ne pas me mener à tous les jugements, quand tu seras Procureur du roi, et tu verras (1839-1841)

Paul Gavarni (French, 1804-1866)
J’te parie mon Alezan doré contre la vicomtesse que j’emporte ce soir le petit rat du baron

J’te parie mon Alezan doré contre la vicomtesse que j’emporte ce soir le petit rat du baron (1840)

Paul Gavarni (French, 1804-1866)
Mais. il me semble.qu’on a.pipé ici. ma foi c’est bien des bêtises, ça ne fait rien

Mais. il me semble.qu’on a.pipé ici. ma foi c’est bien des bêtises, ça ne fait rien (1840)

Paul Gavarni (French, 1804-1866)
J’ai un service à te demander, mon bon Joseph

J’ai un service à te demander, mon bon Joseph (1840-1841)

Paul Gavarni (French, 1804-1866)
Tu pourrais te contenter d’un simple coup de pistolet à quinze pas

Tu pourrais te contenter d’un simple coup de pistolet à quinze pas (1840-1841)

Paul Gavarni (French, 1804-1866)
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