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Kitagawa Utamaro - Oume, Kumenosuke – Oume and Kumenosuke

Oume, Kumenosuke – Oume and Kumenosuke (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1806 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Kitagawa Utamaro was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects.

Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later.

Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated. The reference to the "Japanese influence" among these artists often refers to the work of Utamaro.

More Artworks by Kitagawa Utamaro (View all 165 Artworks)

The Courtesans Kasugano and Utahama of Tamaya (from the series A Mirror of Courtesans of the Green Houses)

The Courtesans Kasugano and Utahama of Tamaya (from the series A Mirror of Courtesans of the Green Houses) (c. 1800)

Kitagawa Utamaro (Japanese, 1753-1806)
Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha

Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Ōtomo no Kuronushi

Ōtomo no Kuronushi (circa 1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Portrait of Beauty, Hanamurasaki at Tama-ya

Portrait of Beauty, Hanamurasaki at Tama-ya (late 18th century – ca. 1806)

Kitagawa Utamaro (Japanese, 1753-1806)
Enjoying the Cool in a Garden

Enjoying the Cool in a Garden (Circa 1790)

Kitagawa Utamaro (Japanese, 1753-1806)
Tôji san bijin – Three beauties of the present day

Tôji san bijin – Three beauties of the present day (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Woman Measuring a Man’s Gown (from the series Twelve Occupations of Women)

Woman Measuring a Man’s Gown (from the series Twelve Occupations of Women) (late 1790s)

Kitagawa Utamaro (Japanese, 1753-1806)
Elegant Pleasures of the Four Seasons

Elegant Pleasures of the Four Seasons (c. 1782)

Kitagawa Utamaro (Japanese, 1753-1806)
Rules of Conduct in the Pleasure Quarters

Rules of Conduct in the Pleasure Quarters (1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Wandering Women

Wandering Women (circa 1790)

Kitagawa Utamaro (Japanese, 1753-1806)
Woman Carrying a Child

Woman Carrying a Child (1753-1806)

Kitagawa Utamaro (Japanese, 1753-1806)
Tamaya uchi Komurasaki, Kochô, Haruji – Komurasaki of the Tamaya, Kochô, Haruj

Tamaya uchi Komurasaki, Kochô, Haruji – Komurasaki of the Tamaya, Kochô, Haruj (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Tomimoto Toyohina, Takashimaya Ohisa, and Naniwaya Okita

Tomimoto Toyohina, Takashimaya Ohisa, and Naniwaya Okita (c. 1794)

Kitagawa Utamaro (Japanese, 1753-1806)
Woman of the Yoshiwara Reading Scroll

Woman of the Yoshiwara Reading Scroll (1753-1806)

Kitagawa Utamaro (Japanese, 1753-1806)
Appearing Again; The Courtesan Naniwaya Okita

Appearing Again; The Courtesan Naniwaya Okita (circa 1795-1796)

Kitagawa Utamaro (Japanese, 1753-1806)
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View all 165 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
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