Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
John Doyle - Othello

Othello (1834)

John Doyle (Irish, 1797 – 1868)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1800 x 1446px JPG, Size: 2.35 MB

Download

Max Size, 10468 x 8412px JPG, Size: 73.54 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1868 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
John Doyle

John Doyle, known by the pen name H. B., was an Irish political cartoonist, caricaturist, painter and lithographer.

He was the eldest son of a Dublin silk mercer, and came from a Roman Catholic family which in the 17th century had been granted extensive estates, possibly in County Offaly or County Laois, and their own coat of arms, but had suffered for their religion and since been dispossessed. In his youth he learned to paint landscapes under Gaspare Gabrielli, and miniature portraits at the Royal Dublin Society's drawing school under John Comerford. He won a gold medal in 1805. He was commissioned to paint equestrian portraits of the Marquess of Sligo and Lord Talbot, the Irish viceroy, and in 1822 he produced six prints entitled The Life of a Racehorse. That year he moved to London with his wife, Marianna Conan. His painting Turning out the Stag brought him recognition when it was exhibited at the Royal Academy in 1825.

Marianna died in 1832, giving birth to their seventh child. Doyle continued to exhibit miniatures until 1835, but by then he was experiencing greater success with his political cartoons, printed using the new reproductive medium of lithography, beginning in 1827. These were issued once a month during parliamentary sessions, and continued for twenty-two years. His caricatures were mostly faithful likenesses of their subjects, with little exaggeration, treated with sarcastic humour, often alluding to popular plays. They were signed with the letters H. B., constructed out of two Js and two Ds, Doyle's own initials. By 1840 he was prosperous enough to afford a fashionable house in Hyde Park, moving in the same circles as David Wilkie, Walter Scott, Samuel Taylor Coleridge, Charles Dickens, William Makepeace Thackeray, Thomas Macaulay, Thomas Moore and Samuel Rogers – but H. B.'s true identity remained a closely guarded secret until he revealed it in 1843 in a seventeen-page letter to Sir Robert Peel.

In the 1840s, at the height of his popularity, indices of H.B.'s prints were published in The Times and by the publisher McLean, but his reputation faded. His later prints were gentle in their humour and drawn in a soft, indistinct style. Thackeray said his cartoons, although clever and witty, were too "genteel" to raise more than a gentlemanly smile – "You will never hear any laughing at 'H. B.'" When he died in 1868, his obituary in The Art Journal did not appear until three months after his death, and a posthumous sale of his sketches at Christie's in 1882 was cancelled for lack of buyers. However, he is considered a founder of the school of British cartoon satirists represented by John Leech, John Tenniel, and his son Richard Doyle, which established the style made famous by Punch magazine. The British Museum has over 900 of his drawings in its collections.

He died at Maida Hill, 2 January 1868, and was buried at West Norwood Cemetery. His sons included the illustrator James William Edmund Doyle (1822–1892); the painter, illustrator and cartoonist Richard Doyle (1824–1883); Henry Edward Doyle, (1827–1892) who became director of the National Gallery of Ireland; and the painter Charles Altamont Doyle (1832–1893), through whom he was a grandfather of Sir Arthur Conan Doyle, the novelist and creator of Sherlock Holmes.

In Collection: British Cartoons (View all 1227)

The Genius of Theatricals bringing John Bull to his senses!!!.

The Genius of Theatricals bringing John Bull to his senses!!!. (1806)

Thomas Rowlandson (English, 1756-1827)
A catamaran or an old maid’s nursery

A catamaran or an old maid’s nursery (1811)

Thomas Rowlandson (English, 1756-1827)
Conciliation an Irish farce.

Conciliation an Irish farce. (1822)

William Heath (English, 1794-1840)
The genius of caricature, and his friends celebrating the completion of the second volume of the Caricature magazine

The genius of caricature, and his friends celebrating the completion of the second volume of the Caricature magazine (1808)

George Moutard Woodward (English, 1765-1809)
King Henry IV.

King Henry IV.

William Heath (English, 1794-1840)
An exotick at the Green House Leadenhall Street

An exotick at the Green House Leadenhall Street (1824)

Richard Dighton (English, 1795-1880)
The poll

The poll (1784)

Thomas Rowlandson (English, 1756-1827)
Adventures of Roderick Random; Morgan offending the delicate organs of Captain Whiffle.

Adventures of Roderick Random; Morgan offending the delicate organs of Captain Whiffle. (1792)

Samuel Collings (English, active 1784–1789)
It a pity you noting to do, but look at me

It a pity you noting to do, but look at me (1827-1829)

William Heath (English, 1794-1840)
A Bundle of Straw

A Bundle of Straw (1795)

William O'Keefe (English, 18th Century)
English exhibitions in Paris, or French people astonished at our improvement in the breed of fat cattle

English exhibitions in Paris, or French people astonished at our improvement in the breed of fat cattle (1812)

Thomas Rowlandson (English, 1756-1827)
Wants a situation.

Wants a situation. (19th century)

Anonymous
The Rights of the People, a Mis-Fire-at the Consitution

The Rights of the People, a Mis-Fire-at the Consitution (_1789)

James Sayers (English, 1748 – 1823)
A row buck ; A dear

A row buck ; A dear (1827-1829)

William Heath (English, 1794-1840)
Contrasts, pl. 1st. Ancient and modern lancers.

Contrasts, pl. 1st. Ancient and modern lancers. (1828)

William Heath (English, 1794-1840)
View all 1227 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro