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Johann Peter Krafft - Ossian and Malvina

Ossian and Malvina (after 1821)

Johann Peter Krafft (Austrian, 1780 - 1856)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1856 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Johann Peter Krafft

Johann Peter Krafft was a German-born Austrian painter who specialized in portraits, historical works and genre scenes.

His father was an enamel painter who originally came from a family of wine merchants in Alsace. His brother, Joseph Krafft (1786-1828) also became a painter of portrait miniatures. By the age of ten, he was already attending a drawing school.

In 1799, he and sister were sent to live with an aunt in Vienna. He immediately enrolled at the Academy of Fine Arts, where he studied history painting with Heinrich Friedrich Füger. In 1802, he travelled to Paris with Veit Hanns Schnorr von Carolsfeld to continue his studies. There, he made the acquaintance of Jacques-Louis David and François Gérard, who had a major influence on his style.

He returned to Vienna in 1805, where he established himself as a portrait painter. From 1808 to 1809, he went on a study trip through Italy. He became a member of the Academy in 1813. Two years later, he married Juliana Preisinger. Three of their children became painters: Marie (1812–1885), Albrecht (1816–1847) and Julie (1821–1903). He was appointed a Professor at the Academy in 1823.

In 1828, he was named Director of the Galerie Belvedere, a position he held until his death. He became an Academic Counselor in 1835. Over the next few years, he travelled to Munich, Dresden and Venice, where he purchased 80 works for the museum. He was also employed as an expert on the preservation of monuments, working at Karlstein Castle, Schönbrunn Palace and the Jesuit Church.

More Artworks by Johann Peter Krafft (View all 205 Artworks)

Orpheus at the tomb of Eurydice

Orpheus at the tomb of Eurydice (1805)

Johann Peter Krafft (Austrian, 1780 - 1856)
Handstudie zu ‘Ossian und Malvina’

Handstudie zu ‘Ossian und Malvina’ (before 1821)

Johann Peter Krafft (Austrian, 1780 - 1856)
Brunnenanlage im Pfirsichgarten des Oberen Belvederes

Brunnenanlage im Pfirsichgarten des Oberen Belvederes (1850)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie zur ‘Rückkehr des Kaisers Franz aus Pressburg’

Studie zur ‘Rückkehr des Kaisers Franz aus Pressburg’ (1828)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie zu ‘Hermann und Dorothea im Weinberg’

Studie zu ‘Hermann und Dorothea im Weinberg’ (before 1840)

Johann Peter Krafft (Austrian, 1780 - 1856)
Arindal and Daura

Arindal and Daura (around 1820-1825)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kopfstudie zu ‘Arindal und Daura’

Kopfstudie zu ‘Arindal und Daura’ (1820-1855)

Johann Peter Krafft (Austrian, 1780 - 1856)
Die Heimkehr des Landwehrmannes

Die Heimkehr des Landwehrmannes (1820)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kopfstudie zu ‘Rückkehr des Kaisers Franz aus Pressburg’

Kopfstudie zu ‘Rückkehr des Kaisers Franz aus Pressburg’ (before 1828)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie einer Blattpflanze

Studie einer Blattpflanze

Johann Peter Krafft (Austrian, 1780 - 1856)
Herkules und Omphale

Herkules und Omphale (1805)

Johann Peter Krafft (Austrian, 1780 - 1856)
Brunnenanlage im Pfirsichgarten des Oberen Belvederes

Brunnenanlage im Pfirsichgarten des Oberen Belvederes (1850)

Johann Peter Krafft (Austrian, 1780 - 1856)
Landschaftsstudie mit brennenden Dörfern im Hintergrund

Landschaftsstudie mit brennenden Dörfern im Hintergrund (1830-1840)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kaiser Franz I. von Österreich

Kaiser Franz I. von Österreich (1825)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kestely

Kestely (1820)

Johann Peter Krafft (Austrian, 1780 - 1856)
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View all 205 Artworks

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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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