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Howard Bay - One-Third of a Nation: Sketch no. 1 (Cityscape)

One-Third of a Nation: Sketch no. 1 (Cityscape) (1934-1943)

Howard Bay (American, 1912 – 1986)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
This work was commissioned by the United States federal government as part of the Works Progress Administration (WPA) program. It is not subject to copyright protection.

Howard Bay was an American scenic, lighting and costume designer for stage, opera and film. He won the Tony Award for Best Scenic Design twice.

Howard Bay was born in Centralia, Washington to parents who were teachers; his father was an art teacher, his mother an English teacher. Over 50 years he designed the sets and lighting, as well as occasionally the costumes, for some 105 Broadway plays and musicals as well as operas and television shows.

Bay designed sets for the Federal Theatre Project in New York City, for four operas for the National Orchestral Association, performed at Carnegie Hall, 1939–1940 and for the operas Capriccio and Natalya Petrovna for the New York City Opera, 1965.

Bay first designed the sets for Broadway for the play Chalk Dust in 1936. In the field of musicals, he designed, among others, sets and lighting for Show Boat (1946), The Music Man (1957) and Finian's Rainbow (1955 [sets], 1960). He designed the original sets, lighting and costumes for Man of La Mancha in 1965 and all revivals. For dramas, for example, he designed the sets and lighting for The Little Foxes (1967), My Mother, My Father and Me (1963), Toys in the Attic (1960), and The Big Knife (1949).

For television he was the Art director for the Fred Waring Show, CBS, 1953–1955; Somerset Maugham Theatre, CBS and NBC, 1954–1956, and Mr. Broadway, CBS, 1964.

He worked on the films The Exile (1947) and Up in Central Park (1948), as the production designer.

He taught theater arts at Brandeis University for 14 years. Bay was president of United Scenic Artists for many years.

Personal
He married Ruth Jonas on November 23, 1932, and they had two children, Ellen and Timothy. He died of a myocardial infarction in 1986.

In Collection: Federal Theatre Project (View all 1212)

Harlem Jamboree

Harlem Jamboree (1934-1943)

Anonymous
Pinocchio: Blue coat with white collar

Pinocchio: Blue coat with white collar (1934-1943)

Paul Cadorette (American, 20th Century)
The Black Crook: Emerald

The Black Crook: Emerald (1934-1943)

Sidney Carlyle (American, 19th/20th century)
Sing for Your Supper: Spring. A Scarlet Tanager

Sing for Your Supper: Spring. A Scarlet Tanager (1934-1943)

Mary Merrill (American, 19th/20th century)
They Knew What They Wanted

They Knew What They Wanted (1934-1943)

Anonymous
Ballet Fedre

Ballet Fedre (1934-1943)

Anonymous
Vaudeville Revue

Vaudeville Revue (1934-1943)

Anonymous
The Magistrate: Sketch no. 4, Act III Scene 1

The Magistrate: Sketch no. 4, Act III Scene 1 (1934-1943)

Nels Astner (American, 19th/20th century)
Shepherd’s Mystery: 2nd Shepherd

Shepherd’s Mystery: 2nd Shepherd (1934-1943)

Mary Merrill (American, 19th/20th century)
The Machine Age: Sketch no. 1 (Human Figure Seated on Structure with Window)

The Machine Age: Sketch no. 1 (Human Figure Seated on Structure with Window) (1934-1943)

Walter Walden (American, 20th Century)
Coquette

Coquette (1934-1943)

Anonymous
A Christmas Carol: Sketch no. 3, Street Scene

A Christmas Carol: Sketch no. 3, Street Scene (1934-1943)

Roland Foley (American, 20th Century)
As You Like It

As You Like It (1934-1943)

Anonymous
Marionette Vaudeville

Marionette Vaudeville (1934-1943)

Anonymous
Tobias and the Angel: Sam

Tobias and the Angel: Sam (1934-1943)

Mary Merrill (American, 19th/20th century)
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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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