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Paul Gavarni - On vient de rapporter Louis de Vincennes, avec deux côtes cassées

On vient de rapporter Louis de Vincennes, avec deux côtes cassées (1840-1841)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Y en-a-ti des femmes, y’en a-ti. et quand on pense que tout ça mange

Y en-a-ti des femmes, y’en a-ti. et quand on pense que tout ça mange (1840)

Paul Gavarni (French, 1804-1866)
Behind the scenes; Beautiful woman, you’re looking pretty nice tonight!

Behind the scenes; Beautiful woman, you’re looking pretty nice tonight! (1838)

Paul Gavarni (French, 1804-1866)
Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été

Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été (1840)

Paul Gavarni (French, 1804-1866)
Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Paul Gavarni (French, 1804-1866)
Masks and faces; What is done in the best society. To you the band, to me the sales pitch

Masks and faces; What is done in the best society. To you the band, to me the sales pitch

Paul Gavarni (French, 1804-1866)
Eh Ben Landerneau ça ne va donc pas mieux

Eh Ben Landerneau ça ne va donc pas mieux (1840)

Paul Gavarni (French, 1804-1866)
On fait des contes à l’actionnaire

On fait des contes à l’actionnaire

Paul Gavarni (French, 1804-1866)
Quand je vous disais que votre Agathe faisait des yeux à mon chenapan de Benjamin

Quand je vous disais que votre Agathe faisait des yeux à mon chenapan de Benjamin (1840-1841)

Paul Gavarni (French, 1804-1866)
A présent tu peux filer

A présent tu peux filer (1839-1841)

Paul Gavarni (French, 1804-1866)
Prévalu tu n’es qu’un fainéant voilà ce que tu n’es que

Prévalu tu n’es qu’un fainéant voilà ce que tu n’es que

Paul Gavarni (French, 1804-1866)
Les artistes, S’Pierre mon ami, vous etes capot!

Les artistes, S’Pierre mon ami, vous etes capot! (1838)

Paul Gavarni (French, 1804-1866)
Bal à la Renaissance ce soir, lache ton boulet

Bal à la Renaissance ce soir, lache ton boulet (1839-1841)

Paul Gavarni (French, 1804-1866)
-. une douzaine d’huîtres et mon coeur. – Ta parole

-. une douzaine d’huîtres et mon coeur. – Ta parole (1840)

Paul Gavarni (French, 1804-1866)
From nature; (I still have nine sous) . . . Waiter! . . . A partridge!

From nature; (I still have nine sous) . . . Waiter! . . . A partridge! (1857)

Paul Gavarni (French, 1804-1866)
Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc

Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc (1838-1840)

Paul Gavarni (French, 1804-1866)
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