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Francesco Solimena - Noli Me Tangere

Noli Me Tangere

Francesco Solimena (Italian, 1657-1747)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1747 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Francesco Solimena

Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.

Francesco Solimena was born in Canale di Serino, province Avellino.
He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera (a place where he spent a big part of his life) and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra.

He settled in Naples in 1674, there he worked in the studio of Francesco di Maria. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his art—for he was a highly conventional painter—after the Roman Baroque masters, Luca Giordano and Giovanni Lanfranco, and Mattia Preti, whose technique of warm brownish shadowing Solimena emulated. Solimena painted many frescoes in Naples, altarpieces, celebrations of weddings and courtly occasions, mythological subjects, characteristically chosen for their theatrical drama, and portraits. His settings are suggested with a few details—steps, archways, balustrades, columns—concentrating attention on figures and their draperies, caught in pools and shafts of light. Art historians take pleasure in identifying the models he imitated or adapted in his compositions. His numerous preparatory drawings often mix media, combining pen-and-ink, chalk and watercolor washes.

A typical example of the elaborately constructed allegorical "machines" of his early mature style, fully employing his mastery of chiaroscuro, is the Allegory of Rule (1690) from the Stroganoff collection, which has come to the State Hermitage Museum, St Petersburg.

Francesco Solimena amassed a fortune and lived in sumptuous style founded on his success. He died at Barra, near Naples, in 1747.

As Solimena had intended it, his nephew Orazio became his pupil and successor as a painter.

More Artworks by Francesco Solimena (View all 42 Artworks)

Jupiter with his Eagle

Jupiter with his Eagle (1657–1747)

Francesco Solimena (Italian, 1657-1747)
Christ And The Woman Of Samaria

Christ And The Woman Of Samaria

Francesco Solimena (Italian, 1657-1747)
The Continence of Scipio

The Continence of Scipio (1657–1747)

Francesco Solimena (Italian, 1657-1747)
Abduction of the Sabine women

Abduction of the Sabine women

Francesco Solimena (Italian, 1657-1747)
Death of Messalina

Death of Messalina (About 1704)

Francesco Solimena (Italian, 1657-1747)
Meeting of Solomon and Queen of Sheba

Meeting of Solomon and Queen of Sheba

Francesco Solimena (Italian, 1657-1747)
The Deposition

The Deposition

Francesco Solimena (Italian, 1657-1747)
A Nude Man Chained to a Rock

A Nude Man Chained to a Rock

Francesco Solimena (Italian, 1657-1747)
The Triumph of David

The Triumph of David (1657–1747)

Francesco Solimena (Italian, 1657-1747)
Venus At The Forge of Vulcan

Venus At The Forge of Vulcan (1704)

Francesco Solimena (Italian, 1657-1747)
Auferstehung Christi

Auferstehung Christi (1720)

Francesco Solimena (Italian, 1657-1747)
The Annunciation

The Annunciation (1671 - 1747)

Francesco Solimena (Italian, 1657-1747)
Saint Michael expelling the Rebel Angels

Saint Michael expelling the Rebel Angels

Francesco Solimena (Italian, 1657-1747)
The Birth of the Virgin

The Birth of the Virgin (ca. 1690)

Francesco Solimena (Italian, 1657-1747)
Aurora Taking Leave of Tithonus

Aurora Taking Leave of Tithonus (1704)

Francesco Solimena (Italian, 1657-1747)
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