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Paul Gavarni - Memories of Carnival, No. 2; A raffle

Memories of Carnival, No. 2; A raffle

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Oreste et Pylade seraient volontiers morts l’un pour l’autre, mais ils seraient brouillés s’ils n’avaient eu qu’une cu

Oreste et Pylade seraient volontiers morts l’un pour l’autre, mais ils seraient brouillés s’ils n’avaient eu qu’une cu (1839-1841)

Paul Gavarni (French, 1804-1866)
Comment, chéri, je ne saurai pas où j’ai fourré ma capote grise

Comment, chéri, je ne saurai pas où j’ai fourré ma capote grise

Paul Gavarni (French, 1804-1866)
Les femmes donnent au diable les romans

Les femmes donnent au diable les romans (1839)

Paul Gavarni (French, 1804-1866)
Mon cher ami je suis en affaire, avec mon oncle

Mon cher ami je suis en affaire, avec mon oncle (1839-1841)

Paul Gavarni (French, 1804-1866)
Ô Femme Chef-d’oeuvre de la création Reine de l’humanité.

Ô Femme Chef-d’oeuvre de la création Reine de l’humanité. (1839-1841)

Paul Gavarni (French, 1804-1866)
Il ne m’oterait seulement pas mon chapeau

Il ne m’oterait seulement pas mon chapeau (1840-1841)

Paul Gavarni (French, 1804-1866)
Te voilà propore Mon cher ton imbécile de Groom s’est trompé de bouquet. Ton billet pour la petite est chez ta tante

Te voilà propore Mon cher ton imbécile de Groom s’est trompé de bouquet. Ton billet pour la petite est chez ta tante (1840-1841)

Paul Gavarni (French, 1804-1866)
Woman in Peasant Costume

Woman in Peasant Costume (ca. 1840)

Paul Gavarni (French, 1804-1866)
Valet de coeur et valet de trèfle bataille

Valet de coeur et valet de trèfle bataille

Paul Gavarni (French, 1804-1866)
Bal à la Renaissance ce soir, lache ton boulet

Bal à la Renaissance ce soir, lache ton boulet (1839-1841)

Paul Gavarni (French, 1804-1866)
Si tu touches encore à la bouteille du vin muscat, tu seras bien attrapée, parceque papa a fait une marque au bouchon

Si tu touches encore à la bouteille du vin muscat, tu seras bien attrapée, parceque papa a fait une marque au bouchon (1838-1840)

Paul Gavarni (French, 1804-1866)
Mon tuteur avait voulu que nous allassions passer dans notre terre du Dauphiné les derniers jours d’été de cette année

Mon tuteur avait voulu que nous allassions passer dans notre terre du Dauphiné les derniers jours d’été de cette année

Paul Gavarni (French, 1804-1866)
Mon adoré dis-moi ton petit nom

Mon adoré dis-moi ton petit nom

Paul Gavarni (French, 1804-1866)
Et si Cornélie ne trouvait pas de voiture

Et si Cornélie ne trouvait pas de voiture (1840)

Paul Gavarni (French, 1804-1866)
The Street Sweeper (Le Cantonnier)

The Street Sweeper (Le Cantonnier) (c. 1848-1852)

Paul Gavarni (French, 1804-1866)
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