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Paul Gavarni - Me souffler un amant, toi A moi Ô que tu es bien heureuse que ça n’est qu’Anatole

Me souffler un amant, toi A moi Ô que tu es bien heureuse que ça n’est qu’Anatole

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

T’as bien tort, vas ma fille, de laisser ta petite te parler comme ça

T’as bien tort, vas ma fille, de laisser ta petite te parler comme ça

Paul Gavarni (French, 1804-1866)
Voilà deux fois que vous rentrez à minuit cette semaine. T’est bête

Voilà deux fois que vous rentrez à minuit cette semaine. T’est bête (1840)

Paul Gavarni (French, 1804-1866)
Est-ce que vous payez des impositions comme papa, Mosieu Pastorin, pour être usurier

Est-ce que vous payez des impositions comme papa, Mosieu Pastorin, pour être usurier (1838-1840)

Paul Gavarni (French, 1804-1866)
Mon adoré dis-moi ton petit nom

Mon adoré dis-moi ton petit nom

Paul Gavarni (French, 1804-1866)
Le marquis de Chancelles est à Naples

Le marquis de Chancelles est à Naples (1840-1841)

Paul Gavarni (French, 1804-1866)
Ô l’amour d’une femme Ô ineffable chose

Ô l’amour d’une femme Ô ineffable chose (1839-1841)

Paul Gavarni (French, 1804-1866)
Grand Papa sa fiché de petite maman, parceque petite Maman s’est fait des tetais avec du coton, na

Grand Papa sa fiché de petite maman, parceque petite Maman s’est fait des tetais avec du coton, na (1838-1840)

Paul Gavarni (French, 1804-1866)
T’es bête va Pour une queue, une méchante queue qu’on vous fait

T’es bête va Pour une queue, une méchante queue qu’on vous fait (1839-1841)

Paul Gavarni (French, 1804-1866)
C’est bien gentil chez vous Monsieur Charles

C’est bien gentil chez vous Monsieur Charles (1840-1841)

Paul Gavarni (French, 1804-1866)
Après vous, Mossieu sic

Après vous, Mossieu sic

Paul Gavarni (French, 1804-1866)
Va dire à ta mère qu’a te mouche

Va dire à ta mère qu’a te mouche (1840)

Paul Gavarni (French, 1804-1866)
Au reçu de ce biller montez à cheval. Et cette femme, c’est la vôtre

Au reçu de ce biller montez à cheval. Et cette femme, c’est la vôtre (1840)

Paul Gavarni (French, 1804-1866)
Houp houp papa. ah mais tu ne fais pas si bien le cheval que Janisset, dam. Ah comme il faisait bien le chev

Houp houp papa. ah mais tu ne fais pas si bien le cheval que Janisset, dam. Ah comme il faisait bien le chev (1838-1840)

Paul Gavarni (French, 1804-1866)
Dis donc Ce voleur de bric-à-brac qui voulait reprendre mes souvenirs et mes regrets pour quatre livres dix sous

Dis donc Ce voleur de bric-à-brac qui voulait reprendre mes souvenirs et mes regrets pour quatre livres dix sous

Paul Gavarni (French, 1804-1866)
Donation entre vifs.

Donation entre vifs. (1839-1841)

Paul Gavarni (French, 1804-1866)
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