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Willem Panneels - Man´s head

Man´s head (1626 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1634 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Willem Panneels was a Flemish engraver who was active in the first half of the 17th century. He is mainly known for the copies he made of drawings from the personal study of Rubens.

Very little is known about his personal life. He was born around 1600 probably in Antwerp. Until his arrival in Rubens' workshop in 1624-1625 no information about him is known. When he left Rubens’ workshop in 1630, he traveled to Cologne, Baden and Frankfurt am Main. In 1631 he stayed in Mainz, where he worked for the prince-bishop Anselm Casimir Wambold von Umstadt. In 1632 he traveled on to Strasbourg and after that date the historical records are silent about him. It is assumed he died around 1634 in Baden-Baden.

More Artworks by Willem Panneels (View all 49 Artworks)

Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right

Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Wrestlers. Antique sculpture group. Lower figure

Wrestlers. Antique sculpture group. Lower figure (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Sitting Man – after an Antique Sculpture

Sitting Man – after an Antique Sculpture (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Anatomisk studie écorché To studier af en mands flåede, venstre arm

Anatomisk studie écorché To studier af en mands flåede, venstre arm

Willem Panneels (Flemish, c.1600 – c.1634)
Samson Breaking the Lion’s Jaw. The Lion

Samson Breaking the Lion’s Jaw. The Lion (1628 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)
Forsiden af den antikke skulptur ’Belvedere Antinous’ set halvt vendt mod venstre

Forsiden af den antikke skulptur ’Belvedere Antinous’ set halvt vendt mod venstre

Willem Panneels (Flemish, c.1600 – c.1634)
Front view of Laocoon’s torso

Front view of Laocoon’s torso (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Laocoon. Two studies of Laocoon’s face, one seem en face from below, and the other in profile to the left

Laocoon. Two studies of Laocoon’s face, one seem en face from below, and the other in profile to the left (1628 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)
Eagle. Two studies of an antique sculpture; front view half turned to the right, and front view half turned to the left

Eagle. Two studies of an antique sculpture; front view half turned to the right, and front view half turned to the left (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Anatomical Study (écorché). A man’s flayed right leg seen from the back, turned to the right

Anatomical Study (écorché). A man’s flayed right leg seen from the back, turned to the right (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Anatomical Study (écorché). Standing flayed man seen from the back half turned to the left, his left arm raised_

Anatomical Study (écorché). Standing flayed man seen from the back half turned to the left, his left arm raised_ (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Head of a Roman woman, quarter profile turned to the right

Head of a Roman woman, quarter profile turned to the right (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Sabinerindernes rov

Sabinerindernes rov

Willem Panneels (Flemish, c.1600 – c.1634)
Anatomical Study (écorché). A man’s flayed left leg seen from the back

Anatomical Study (écorché). A man’s flayed left leg seen from the back (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
Laocoon. Laocoon’s torso seen from below from the right.

Laocoon. Laocoon’s torso seen from below from the right. (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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