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Salvator Rosa - Man, Pointing Upward, and Soldier in Repose

Man, Pointing Upward, and Soldier in Repose (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1673 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Salvator Rosa

Salvator Rosa was an Italian Baroque painter, poet, and printmaker, who was active in Naples, Rome, and Florence. As a painter, he has been described as "unorthodox and extravagant" as well as being a "perpetual rebel" and a proto-Romantic.

Rosa was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21, 1615. His mother was Giulia Greca Rosa, a member of one of the Greek families of Sicily. His father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi Fathers. Yet Salvator showed a preference for the arts and secretly worked with his maternal uncle Paolo Greco to learn about painting. He soon transferred himself to the tutelage of his brother-in-law Francesco Fracanzano, a pupil of Ribera, and afterward to either Aniello Falcone, a contemporary of Domenico Gargiulo, or to Ribera.

During Rosa's lifetime his work inspired followers such as Giovanni Ghisolfi, but his most lasting influence was on the later development of romantic and picturesque traditions within painting. Eighteenth-century artists influenced by Rosa include Alessandro Magnasco, Andrea Locatelli, Giovanni Paolo Panini and Marco Ricci. As Wittkower states, it is in his landscapes, not his grand historical or religious dramas, that Rosa truly expresses his innovative abilities most graphically.

Rosa's reputation and influence waned in the nineteenth century; when his Monks Fishing was displayed in Dulwich in 1843 it was criticized by John Ruskin as telling "unmitigated falsehoods" and containing "laws of nature set at open defiance". Since the 1960s, Rosa's work has received renewed attention from scholars.

More Illustrations in Book: The Figurine Series (View all 63)

Soldier Holding a Shield with the Head of Medusa

Soldier Holding a Shield with the Head of Medusa (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Young Mother Carrying an Infant

Young Mother Carrying an Infant (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Man Standing, with Arm Raised, Pointing Toward the Left

Man Standing, with Arm Raised, Pointing Toward the Left (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Soldier with Cane, Facing Right

Soldier with Cane, Facing Right (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Soldier, Seated

Soldier, Seated (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Two Soldiers, One Seated on a Square Stone

Two Soldiers, One Seated on a Square Stone (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Three Soldiers, One Seated on a Square Block of Stone 2

Three Soldiers, One Seated on a Square Block of Stone 2 (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Man with Staff Seen from Behind

Man with Staff Seen from Behind (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Seated Soldier Leaning on His Shield

Seated Soldier Leaning on His Shield (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Five Soldiers

Five Soldiers (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Three Soldiers in Conversation

Three Soldiers in Conversation (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Soldier in Profile with Sword and Cane, Facing Right

Soldier in Profile with Sword and Cane, Facing Right (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Young Woman Walking Toward the Left

Young Woman Walking Toward the Left (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Two Soldiers, One in Helmet and Bearded

Two Soldiers, One in Helmet and Bearded (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Frontispiece to the ‘Figurine Series’

Frontispiece to the ‘Figurine Series’ (1656-1657)

Salvator Rosa (Italian, 1615-1673)
View all 63 Artworks

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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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