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Paul Gavarni - Maman Maman. Ah par exemple que voila un malhonnête

Maman Maman. Ah par exemple que voila un malhonnête (1838-1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Pas moyen C’est une femme invisible à l’oeil nu

Pas moyen C’est une femme invisible à l’oeil nu

Paul Gavarni (French, 1804-1866)
On cause affaires

On cause affaires

Paul Gavarni (French, 1804-1866)
Monsieur n’est-ce pas que ça n’est pas vrai, que vous n’avez pas les cheveux peints

Monsieur n’est-ce pas que ça n’est pas vrai, que vous n’avez pas les cheveux peints (1838-1840)

Paul Gavarni (French, 1804-1866)
N’est-ce pas, Mosieu Prud’homme, qu’il ne faut pas mettre un H à omelette. là vois-tu M’man

N’est-ce pas, Mosieu Prud’homme, qu’il ne faut pas mettre un H à omelette. là vois-tu M’man (1838-1840)

Paul Gavarni (French, 1804-1866)
Pastourelle

Pastourelle

Paul Gavarni (French, 1804-1866)
Masks and faces; What is done in the best society. To you the band, to me the sales pitch

Masks and faces; What is done in the best society. To you the band, to me the sales pitch

Paul Gavarni (French, 1804-1866)
Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête..

Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête.. (1838-1840)

Paul Gavarni (French, 1804-1866)
Ça ne te regarde pas, de quoi te mèles-tu

Ça ne te regarde pas, de quoi te mèles-tu (1840)

Paul Gavarni (French, 1804-1866)
English Beggar

English Beggar

Paul Gavarni (French, 1804-1866)
Allons, Mon vieux Vautour, il faut m’escompter ces petits trois cents francs là

Allons, Mon vieux Vautour, il faut m’escompter ces petits trois cents francs là (1840-1841)

Paul Gavarni (French, 1804-1866)
Mon adoré dis-moi ton petit nom

Mon adoré dis-moi ton petit nom

Paul Gavarni (French, 1804-1866)
A la requête du sieur Vautour et caetera, en vertu et caetera nous Loyal et caetera, premièrement dans une pièce éclai

A la requête du sieur Vautour et caetera, en vertu et caetera nous Loyal et caetera, premièrement dans une pièce éclai

Paul Gavarni (French, 1804-1866)
On ne peut pas parler à mademoiselle elle fait ses ongles

On ne peut pas parler à mademoiselle elle fait ses ongles

Paul Gavarni (French, 1804-1866)
Ne vas pas te tromper Si c’est un Mosieu qui t’ouvre, tu diras ce que je t’ai dit

Ne vas pas te tromper Si c’est un Mosieu qui t’ouvre, tu diras ce que je t’ai dit (1840-1841)

Paul Gavarni (French, 1804-1866)
Doux Jérus Où que vas me sauver La Félicité qui fait des manières

Doux Jérus Où que vas me sauver La Félicité qui fait des manières (1840)

Paul Gavarni (French, 1804-1866)
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