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Paul Gavarni - Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai

Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai (1838-1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Maman c’est Mosieu.. tu sais, ce Mosieu qui a ce nez

Maman c’est Mosieu.. tu sais, ce Mosieu qui a ce nez (1838-1840)

Paul Gavarni (French, 1804-1866)
Le dernier quartier de la lune de miel

Le dernier quartier de la lune de miel (1839)

Paul Gavarni (French, 1804-1866)
Standing Man

Standing Man

Paul Gavarni (French, 1804-1866)
M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut

M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut (1839-1841)

Paul Gavarni (French, 1804-1866)
Qui Moi et Zélie, Achille et toi. – Où – Aux vendanges

Qui Moi et Zélie, Achille et toi. – Où – Aux vendanges (1840)

Paul Gavarni (French, 1804-1866)
Eh Ben Landerneau ça ne va donc pas mieux

Eh Ben Landerneau ça ne va donc pas mieux (1840)

Paul Gavarni (French, 1804-1866)
Quand je pense que Monsieur Coquardeau va être mon mari, ça me fait de la peine pour Alexandre. Et à moi, pour Coqua

Quand je pense que Monsieur Coquardeau va être mon mari, ça me fait de la peine pour Alexandre. Et à moi, pour Coqua (1840)

Paul Gavarni (French, 1804-1866)
Quand on dit qu’on a une femme, ça veut dire qu’une femme vous a

Quand on dit qu’on a une femme, ça veut dire qu’une femme vous a (1840-1841)

Paul Gavarni (French, 1804-1866)
Harlequin’s coat; Ma’m’selle Cigale’s husband

Harlequin’s coat; Ma’m’selle Cigale’s husband (1852)

Paul Gavarni (French, 1804-1866)
Eugène et sa petite.

Eugène et sa petite. (1840-1841)

Paul Gavarni (French, 1804-1866)
Les lettres de l’ancienne

Les lettres de l’ancienne (1839-1841)

Paul Gavarni (French, 1804-1866)
Rien n’est si joli que la fa a a a ble e e, si triste que la vérité

Rien n’est si joli que la fa a a a ble e e, si triste que la vérité

Paul Gavarni (French, 1804-1866)
Il fait son droit.

Il fait son droit. (1839-1841)

Paul Gavarni (French, 1804-1866)
Je vous dis que vous avez dansé d’une façon. que. enfin, il ne fallait pas. ainsi que votre femme la même chose

Je vous dis que vous avez dansé d’une façon. que. enfin, il ne fallait pas. ainsi que votre femme la même chose (1840)

Paul Gavarni (French, 1804-1866)
Allez au bal de l’opéra avec Madame de Coquardeau. quelqu’aveugle qu’elle soit, une noblesse qui, songez-y-bien

Allez au bal de l’opéra avec Madame de Coquardeau. quelqu’aveugle qu’elle soit, une noblesse qui, songez-y-bien (1840)

Paul Gavarni (French, 1804-1866)
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