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Gaspare Diziani - Lot and His Doughters

Lot and His Doughters (1735-1740)

Gaspare Diziani (Italian, 1689-1767)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1767 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Gaspare Diziani was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. The artist's canvas is the largest painting of the Hermitage Museum in St. Petersburg.

His earliest training was in his native town of Belluno with Antonio Lazzarini. He then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. His career largely overlapped with Lazzarini and Ricci's fellow pupil, Giambattista Tiepolo, who was seven years his elder.

Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of Santo Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Diziani's celerity and technical assurance are evident from preparatory oil sketches, where color has been applied in rapid and spirited strokes.

He also worked as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, in conjunction with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a "magnificent decoration for the church of San Lorenzo in Damaso". This work is now known only through an engraving by Claude Vasconi.

His pupils included Pietro Edwards and Jacopo Marieschi (1711–1794). His son, Antonio Diziani, painted interior and exterior vedute of mainly Venice. He died in Venice.

More Artworks by Gaspare Diziani (View all 130 Artworks)

Ein liegender Männerakt sowie das Gesicht eines Knaben im Profil

Ein liegender Männerakt sowie das Gesicht eines Knaben im Profil

Gaspare Diziani (Italian, 1689-1767)
Et sengeliggende par, andre haster dertil

Et sengeliggende par, andre haster dertil

Gaspare Diziani (Italian, 1689-1767)
The Annunciation

The Annunciation (ca. 1747)

Gaspare Diziani (Italian, 1689-1767)
Allegorische Figurengruppe mit Putten auf Wolken

Allegorische Figurengruppe mit Putten auf Wolken

Gaspare Diziani (Italian, 1689-1767)
Abraham empfängt die drei Engel

Abraham empfängt die drei Engel

Gaspare Diziani (Italian, 1689-1767)
Putten mit Deckelvase und Amphora auf Wolken

Putten mit Deckelvase und Amphora auf Wolken

Gaspare Diziani (Italian, 1689-1767)
Venus and Cupid

Venus and Cupid (circa 1746-1747)

Gaspare Diziani (Italian, 1689-1767)
Venice Receiving Homage

Venice Receiving Homage (1755–60)

Gaspare Diziani (Italian, 1689-1767)
Zwei allegorische Frauenfiguren mit Putten auf Wolken (Virtù und Nobilità)

Zwei allegorische Frauenfiguren mit Putten auf Wolken (Virtù und Nobilità)

Gaspare Diziani (Italian, 1689-1767)
Four slaves

Four slaves

Gaspare Diziani (Italian, 1689-1767)
Putten verehren das heilige Sakrament

Putten verehren das heilige Sakrament

Gaspare Diziani (Italian, 1689-1767)
Retfærdigheden, Freden og Fornuften

Retfærdigheden, Freden og Fornuften

Gaspare Diziani (Italian, 1689-1767)
The Sacrifice of Isaac

The Sacrifice of Isaac (c. 1755)

Gaspare Diziani (Italian, 1689-1767)
Die Heilige Cäcilia, der Kopf eines Mädchens

Die Heilige Cäcilia, der Kopf eines Mädchens

Gaspare Diziani (Italian, 1689-1767)
Playing cherubs

Playing cherubs

Gaspare Diziani (Italian, 1689-1767)
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License: All public domain files can be freely used for personal and commercial projects.
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