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Paul Gavarni - Les artistes, O bon! M’ame Jean! V’la qui tire vot’ clos!

Les artistes, O bon! M’ame Jean! V’la qui tire vot’ clos! (1838)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Y en-a-ti des femmes, y’en a-ti. et quand on pense que tout ça mange

Y en-a-ti des femmes, y’en a-ti. et quand on pense que tout ça mange (1840)

Paul Gavarni (French, 1804-1866)
Voyons Théodore nous ne sommes donc plus la Bichette à notre petite maman

Voyons Théodore nous ne sommes donc plus la Bichette à notre petite maman (1840)

Paul Gavarni (French, 1804-1866)
Mon Dieu çà lui a pris hier au soir après que Mossieu a été parti. ah nous avons eu joliment peur

Mon Dieu çà lui a pris hier au soir après que Mossieu a été parti. ah nous avons eu joliment peur (1840)

Paul Gavarni (French, 1804-1866)
Ch. Chandellier

Ch. Chandellier (1842)

Paul Gavarni (French, 1804-1866)
Tu ne sais pas ta leçon. ce qu’on met dans les cheveux à ma tante pour qu’ils soient noirs après

Tu ne sais pas ta leçon. ce qu’on met dans les cheveux à ma tante pour qu’ils soient noirs après (1838-1840)

Paul Gavarni (French, 1804-1866)
Il ne m’oterait seulement pas mon chapeau

Il ne m’oterait seulement pas mon chapeau (1840-1841)

Paul Gavarni (French, 1804-1866)
Est-ce que vous n’en avez pas bientot assez, Angelina, du Carnaval

Est-ce que vous n’en avez pas bientot assez, Angelina, du Carnaval (1840)

Paul Gavarni (French, 1804-1866)
Figurez vous, mon petit Mossieu Constantin, que mon scélérat connaissait infamie de Félicité-là depuis tout plein de t

Figurez vous, mon petit Mossieu Constantin, que mon scélérat connaissait infamie de Félicité-là depuis tout plein de t (1839-1841)

Paul Gavarni (French, 1804-1866)
C’etais ‘pour se donner des forces’

C’etais ‘pour se donner des forces’ (c. 1845)

Paul Gavarni (French, 1804-1866)
V’là un gueux de petit pékin qui se divertit au bal

V’là un gueux de petit pékin qui se divertit au bal (1840)

Paul Gavarni (French, 1804-1866)
Monter à cheval sur le cou d’un homme qu’on ne connait pas, t’appelle ça plaisanter

Monter à cheval sur le cou d’un homme qu’on ne connait pas, t’appelle ça plaisanter (1840)

Paul Gavarni (French, 1804-1866)
Papa, empêche donc Françoise de se moquer toujours de moi parceque je lui dis que Monsieur Ward a montré l’Anglais à M

Papa, empêche donc Françoise de se moquer toujours de moi parceque je lui dis que Monsieur Ward a montré l’Anglais à M (1838-1840)

Paul Gavarni (French, 1804-1866)
En voulez-vous de la crevette. Pas cher

En voulez-vous de la crevette. Pas cher (1840)

Paul Gavarni (French, 1804-1866)
Te voilà propore Mon cher ton imbécile de Groom s’est trompé de bouquet. Ton billet pour la petite est chez ta tante

Te voilà propore Mon cher ton imbécile de Groom s’est trompé de bouquet. Ton billet pour la petite est chez ta tante (1840-1841)

Paul Gavarni (French, 1804-1866)
Man seated at table, holding drink

Man seated at table, holding drink

Paul Gavarni (French, 1804-1866)
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