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Paul Gavarni - Le v’là. ote ton chapeau

Le v’là. ote ton chapeau (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Ça vaut une pièce de quatorze francs.

Ça vaut une pièce de quatorze francs. (1839-1841)

Paul Gavarni (French, 1804-1866)
Bohemienne

Bohemienne

Paul Gavarni (French, 1804-1866)
Depuis cinq mois que je suis avec mademoiselle j’ai fait bien des paires de bottes

Depuis cinq mois que je suis avec mademoiselle j’ai fait bien des paires de bottes

Paul Gavarni (French, 1804-1866)
Madame. Madame. Un billet de bal, pour un baiser de vous

Madame. Madame. Un billet de bal, pour un baiser de vous

Paul Gavarni (French, 1804-1866)
Ça ne te regarde pas, de quoi te mèles-tu

Ça ne te regarde pas, de quoi te mèles-tu (1840)

Paul Gavarni (French, 1804-1866)
Voyons Coquardin, que diable il faut se faire une raison. Hum

Voyons Coquardin, que diable il faut se faire une raison. Hum (1840)

Paul Gavarni (French, 1804-1866)
Quand t’auras fait manger tes serins, M’ame Sénéchal, je voudrais bien déjeuner

Quand t’auras fait manger tes serins, M’ame Sénéchal, je voudrais bien déjeuner

Paul Gavarni (French, 1804-1866)
Ça C’est pas la perruque de Jules

Ça C’est pas la perruque de Jules (1840)

Paul Gavarni (French, 1804-1866)
Voyons si tu te souviens

Voyons si tu te souviens (1840)

Paul Gavarni (French, 1804-1866)
Reverie

Reverie

Paul Gavarni (French, 1804-1866)
Après diner Maman, n’est-ce pas (j’ai été bien sage) nous irons chez mon bon ami

Après diner Maman, n’est-ce pas (j’ai été bien sage) nous irons chez mon bon ami (1838-1840)

Paul Gavarni (French, 1804-1866)
Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Paul Gavarni (French, 1804-1866)
Henri est fort bien. mais je crois que c’est Charles que j’aime le mieux. Alors épouse Henri

Henri est fort bien. mais je crois que c’est Charles que j’aime le mieux. Alors épouse Henri (1840)

Paul Gavarni (French, 1804-1866)
Le roi de trèfle en voyage

Le roi de trèfle en voyage

Paul Gavarni (French, 1804-1866)
Eugène et sa petite.

Eugène et sa petite. (1840-1841)

Paul Gavarni (French, 1804-1866)
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