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Paul Gavarni - Le roi de trèfle en voyage

Le roi de trèfle en voyage

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Aurais-je l’honneur de danser une galop avec Mosieu le baron

Aurais-je l’honneur de danser une galop avec Mosieu le baron (1840)

Paul Gavarni (French, 1804-1866)
Maman dit que vous savez tous les secrets de Polichinelle, Mosieu d’Alby qu’est-ce qui peut donc lui avoir abimé le n

Maman dit que vous savez tous les secrets de Polichinelle, Mosieu d’Alby qu’est-ce qui peut donc lui avoir abimé le n (1838-1840)

Paul Gavarni (French, 1804-1866)
Voyez-vous Là Au second quadrille. des épis de diamants

Voyez-vous Là Au second quadrille. des épis de diamants (1840-1841)

Paul Gavarni (French, 1804-1866)
Enchanté M’sieu de l’honneur de vous voir

Enchanté M’sieu de l’honneur de vous voir

Paul Gavarni (French, 1804-1866)
Va donc. Singulier masculin

Va donc. Singulier masculin (1840)

Paul Gavarni (French, 1804-1866)
Valet de coeur et valet de trèfle bataille

Valet de coeur et valet de trèfle bataille

Paul Gavarni (French, 1804-1866)
Faut que je voye après mon poulet. voyons Monsieur Charmé ne fais pas de bêtises

Faut que je voye après mon poulet. voyons Monsieur Charmé ne fais pas de bêtises (1840-1841)

Paul Gavarni (French, 1804-1866)
Le spectacle, était-ce bien. Il m’a fallu payer place entière

Le spectacle, était-ce bien. Il m’a fallu payer place entière (1838-1840)

Paul Gavarni (French, 1804-1866)
Non Nini, je ne pourrais pas aller au bal de l’opéra ce soir. soyez gentille, vous savez que vous avez envie d’un m

Non Nini, je ne pourrais pas aller au bal de l’opéra ce soir. soyez gentille, vous savez que vous avez envie d’un m (1840)

Paul Gavarni (French, 1804-1866)
En voulez-vous de la crevette. Pas cher

En voulez-vous de la crevette. Pas cher (1840)

Paul Gavarni (French, 1804-1866)
Ah Qu’il est beau

Ah Qu’il est beau (1840)

Paul Gavarni (French, 1804-1866)
Me souffler un amant, toi A moi Ô que tu es bien heureuse que ça n’est qu’Anatole

Me souffler un amant, toi A moi Ô que tu es bien heureuse que ça n’est qu’Anatole

Paul Gavarni (French, 1804-1866)
Virginie. Je suis là, maman. j’attrape mon sansonnet

Virginie. Je suis là, maman. j’attrape mon sansonnet (1840)

Paul Gavarni (French, 1804-1866)
Etude du matin

Etude du matin (1839-1841)

Paul Gavarni (French, 1804-1866)
Les quatre messieurs et Augustine

Les quatre messieurs et Augustine (1840)

Paul Gavarni (French, 1804-1866)
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