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Paul Gavarni - Le Diable à Paris Paris et les parisiens

Le Diable à Paris Paris et les parisiens (1844)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

M’man n’y est pas, parce que tu rentres avant cinq heures, puisque si tétais pas revenu avant cinq heures, n’y avait p

M’man n’y est pas, parce que tu rentres avant cinq heures, puisque si tétais pas revenu avant cinq heures, n’y avait p (1838-1840)

Paul Gavarni (French, 1804-1866)
Et dire qu’on a eu cinq mille francs de loyer

Et dire qu’on a eu cinq mille francs de loyer

Paul Gavarni (French, 1804-1866)
Est-ce aussi votre tuteur qui laisse des épingles noires sur votre oreiller

Est-ce aussi votre tuteur qui laisse des épingles noires sur votre oreiller (1839-1841)

Paul Gavarni (French, 1804-1866)
Eh Ben Landerneau ça ne va donc pas mieux

Eh Ben Landerneau ça ne va donc pas mieux (1840)

Paul Gavarni (French, 1804-1866)
Oraison funèbre

Oraison funèbre (1840-1841)

Paul Gavarni (French, 1804-1866)
La lettre de Coquardeau

La lettre de Coquardeau (1840)

Paul Gavarni (French, 1804-1866)
Pastourelle

Pastourelle

Paul Gavarni (French, 1804-1866)
M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut

M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut (1839-1841)

Paul Gavarni (French, 1804-1866)
Agathe et toi, mon vieux Ferdinand, ça ne sera pas long

Agathe et toi, mon vieux Ferdinand, ça ne sera pas long (1840)

Paul Gavarni (French, 1804-1866)
Après le café

Après le café

Paul Gavarni (French, 1804-1866)
Que diable Mon neuveu, il est bon d’être ambitieux mais on ne peut pas toujours travailler aussi A la campagne on s’

Que diable Mon neuveu, il est bon d’être ambitieux mais on ne peut pas toujours travailler aussi A la campagne on s’ (1839-1841)

Paul Gavarni (French, 1804-1866)
Qu’est-ce que c’est que cette infamie de petite bête là

Qu’est-ce que c’est que cette infamie de petite bête là (1839-1841)

Paul Gavarni (French, 1804-1866)
Masks and faces; Gentlemen of paper, 1. Edmond and Jules de Goncourt

Masks and faces; Gentlemen of paper, 1. Edmond and Jules de Goncourt (1853)

Paul Gavarni (French, 1804-1866)
Costume prints

Costume prints (1820 - 1830)

Paul Gavarni (French, 1804-1866)
Study for Book Illustration (‘Physiologie du Tailleur’)

Study for Book Illustration (‘Physiologie du Tailleur’)

Paul Gavarni (French, 1804-1866)
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