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James Ward - Landing Place near Tintern Abbey

Landing Place near Tintern Abbey (probably c. 1802)

James Ward (English, 1769-1859)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 201 Artworks)

Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’

Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’ (ca. 1803)

James Ward (English, 1769-1859)
Aberdulais Mill, Glamorganshire

Aberdulais Mill, Glamorganshire

James Ward (English, 1769-1859)
A Rustic Carrying Ducks

A Rustic Carrying Ducks

James Ward (English, 1769-1859)
Two Studies of a Seated Man

Two Studies of a Seated Man

James Ward (English, 1769-1859)
Confrontation At The Crossing

Confrontation At The Crossing ( 1833)

James Ward (English, 1769-1859)
A Hog, Sleeping

A Hog, Sleeping (ca. 1807)

James Ward (English, 1769-1859)
Arctic Dog, Facing Left

Arctic Dog, Facing Left

James Ward (English, 1769-1859)
Lord Southampton’s Shooting Pony, with ‘Sailor’, His Retriever, and ‘Rover’, His Spaniel

Lord Southampton’s Shooting Pony, with ‘Sailor’, His Retriever, and ‘Rover’, His Spaniel (ca. 1822)

James Ward (English, 1769-1859)
The Midday Meal

The Midday Meal (ca. 1835)

James Ward (English, 1769-1859)
A King Charles Spaniel on a red cushion

A King Charles Spaniel on a red cushion (1809)

James Ward (English, 1769-1859)
Study of a Tree

Study of a Tree

James Ward (English, 1769-1859)
Boy Carrying a Pail on His Head

Boy Carrying a Pail on His Head

James Ward (English, 1769-1859)
View near Swansea, South Wales

View near Swansea, South Wales (ca. 1800)

James Ward (English, 1769-1859)
Study for the View of Cambridge from Castle Hill

Study for the View of Cambridge from Castle Hill

James Ward (English, 1769-1859)
The Obstinate Donkey

The Obstinate Donkey (1811)

James Ward (English, 1769-1859)
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