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Sir Edward Coley Burne-Jones - Lady Picking Flowers

Lady Picking Flowers (c. 1890)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1898 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Sir Edward Coley Burne-Jones

Sir Edward Coley Burne-Jones was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.

Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor church at Cheddleton Staffordshire. Burne-Jones's early paintings show the inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice".

In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. Burne-Jones worked in crafts; including designing ceramic tiles, jewellery, tapestries and mosaics.

More Artworks by Sir Edward Coley Burne-Jones (View all 302 Artworks)

Female head study for the first of the Three Graces in ‘Venus Concordia’

Female head study for the first of the Three Graces in ‘Venus Concordia’ (1895)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Adder’s Tongue

Adder’s Tongue

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Female Nude – Five Studies

Female Nude – Five Studies

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Alice, la Belle Pèlerine

Alice, la Belle Pèlerine (1858–59)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Resurrection

The Resurrection

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Fates – Study of the Male Lover

The Fates – Study of the Male Lover

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Zephyrus Bearing Psyche to the Mountain

Zephyrus Bearing Psyche to the Mountain (1881)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Study of a male head in profile, for Perseus in The Call of Perseus

Study of a male head in profile, for Perseus in The Call of Perseus

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
An illustration to ‘The Golden Legend’

An illustration to ‘The Golden Legend’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Song of Solomon – As the Apple Tree among the Trees of the Wood

The Song of Solomon – As the Apple Tree among the Trees of the Wood

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Luna

Luna

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Heart of the Lotus

The Heart of the Lotus (1880)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Self caricature in formal dress on the occasion of his baronetcy

Self caricature in formal dress on the occasion of his baronetcy (1894)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Female Nude – Study

Female Nude – Study

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Car of Love, or Love’s Wayfaring

The Car of Love, or Love’s Wayfaring (19th century)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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