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Maxime Maufra - La pointe de Cador (à Morgat)

La pointe de Cador (à Morgat) (1902)

Maxime Maufra (French, 1861-1918)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1918 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Maxime Maufra

Maxime Maufra, was a French landscape and marine painter, etcher and lithographer.

Maufra first began painting at 18. He was encouraged to do so by two artists from Nantes such as the brothers Charles Leduc and Alfred Leduc and the landscape painter Charles Le Roux.

However, he did not fully embrace his painting career right away. He remained in the first place a businessman and only painted in his spare time from 1884 to 1890. During this period, Maufra discovered the work of the Impressionists. He also displayed his works at the Paris Salon of 1886.

In 1890, Maufra decided to give up business and to become a full-time painter. He left Nantes for Pont-Aven in the Finistère department of Brittany, where he was met Paul Gauguin and Paul Sérusier. Maufra had his first solo exhibition in Paris in 1894, at Le Barc de Toutteville. He subsequently exhibited with Durand-Ruel, to whom he remained under contract for the rest of his life.

Returning from Brittany, Maufra was the first painter to take up residence in the Bateau-Lavoir in Montmartre, a famous Parisian residence for artists. He returned to Brittany each year, in particular to the Quiberon region. He found inspiration for his art in his travels which took him to the Dauphiné (1904), the Midi (1912), Algeria (1913) and Savoy (1914).

Maufra was mainly an artist of landscapes and marine views. In his compositions, Maufra sometimes quoted the pointillist technique of Camille Pissarro or Alfred Sisley, and also took from the strong colors and powerful drawing of the Pont-Aven School.

Maufra remained an independent artist his all life through and dedicated his art to recording the beauty of nature. He also explored etching and lithography.

More Artworks by Maxime Maufra (View all 83 Artworks)

Le Château-Gaillard, après-midi

Le Château-Gaillard, après-midi (1903)

Maxime Maufra (French, 1861-1918)
Les falaises de Plougasnou

Les falaises de Plougasnou (1894)

Maxime Maufra (French, 1861-1918)
L’anse de Bilfot

L’anse de Bilfot (1893)

Maxime Maufra (French, 1861-1918)
Le port de Sauzon, Belle-Îsle en Mer

Le port de Sauzon, Belle-Îsle en Mer (1905)

Maxime Maufra (French, 1861-1918)
Retour De Pêche, Pont-Aven

Retour De Pêche, Pont-Aven (1890)

Maxime Maufra (French, 1861-1918)
Mer forte à Saint-Guénolé Penmarc’h

Mer forte à Saint-Guénolé Penmarc’h (1898)

Maxime Maufra (French, 1861-1918)
Le Vallon, Vaucottes-Sur-Mer

Le Vallon, Vaucottes-Sur-Mer (1900)

Maxime Maufra (French, 1861-1918)
L’automne à Saint Jean du Doigt

L’automne à Saint Jean du Doigt (1895)

Maxime Maufra (French, 1861-1918)
Notre Dame de la clarté

Notre Dame de la clarté

Maxime Maufra (French, 1861-1918)
Les Falaises rouges d’Octeville, Seine-Inférieure

Les Falaises rouges d’Octeville, Seine-Inférieure (1905)

Maxime Maufra (French, 1861-1918)
Soleil couchant sur le Loir, Lavardin (Loir-et-Cher)

Soleil couchant sur le Loir, Lavardin (Loir-et-Cher) ( 1907)

Maxime Maufra (French, 1861-1918)
Le Port De Goulphar, Belle-Île-En-Mer

Le Port De Goulphar, Belle-Île-En-Mer (1909)

Maxime Maufra (French, 1861-1918)
La route après l’orage

La route après l’orage (1893)

Maxime Maufra (French, 1861-1918)
La neige à Port-Marly

La neige à Port-Marly (1902)

Maxime Maufra (French, 1861-1918)
Vue de village

Vue de village (1891-1897)

Maxime Maufra (French, 1861-1918)
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