Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Paul Gavarni - La canne que Papa a trouvée dans l’armoire de Maman, le jour qu’il était si en colère, elle était bien plus belle que

La canne que Papa a trouvée dans l’armoire de Maman, le jour qu’il était si en colère, elle était bien plus belle que (1838-1840)

Paul Gavarni (French, 1804-1866)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1431 x 1800px JPG, Size: 2.21 MB

Download

Max Size, 2728 x 3432px JPG, Size: 6.94 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Le spectacle, était-ce bien. Il m’a fallu payer place entière

Le spectacle, était-ce bien. Il m’a fallu payer place entière (1838-1840)

Paul Gavarni (French, 1804-1866)
Voyons faites attention. moi j’en mange aussi tiens

Voyons faites attention. moi j’en mange aussi tiens (1838-1840)

Paul Gavarni (French, 1804-1866)
Il fait son droit.

Il fait son droit. (1839-1841)

Paul Gavarni (French, 1804-1866)
Tu mettras plus jamais ton chapeau qui sent la pipe, n’est pas m’man

Tu mettras plus jamais ton chapeau qui sent la pipe, n’est pas m’man (1838-1840)

Paul Gavarni (French, 1804-1866)
J’te parie mon Alezan doré contre la vicomtesse que j’emporte ce soir le petit rat du baron

J’te parie mon Alezan doré contre la vicomtesse que j’emporte ce soir le petit rat du baron (1840)

Paul Gavarni (French, 1804-1866)
Saprelotte Mosieu Arthur, vous me permettez de vous dire que ça ne peut pas toujours durer comme ça

Saprelotte Mosieu Arthur, vous me permettez de vous dire que ça ne peut pas toujours durer comme ça

Paul Gavarni (French, 1804-1866)
Vraiment dans ta position, tu as bien tort, ma chère petite. c’est bien gai pour une mère

Vraiment dans ta position, tu as bien tort, ma chère petite. c’est bien gai pour une mère (1840)

Paul Gavarni (French, 1804-1866)
Ils vivent de ses rentes

Ils vivent de ses rentes

Paul Gavarni (French, 1804-1866)
Ne vas pas te tromper Si c’est un Mosieu qui t’ouvre, tu diras ce que je t’ai dit

Ne vas pas te tromper Si c’est un Mosieu qui t’ouvre, tu diras ce que je t’ai dit (1840-1841)

Paul Gavarni (French, 1804-1866)
Dis-donc Miroux. dis-donc Miroux. dequoi donc que Madame Miroux te fait porter

Dis-donc Miroux. dis-donc Miroux. dequoi donc que Madame Miroux te fait porter (1838-1840)

Paul Gavarni (French, 1804-1866)
Représentation à bénéfice

Représentation à bénéfice

Paul Gavarni (French, 1804-1866)
Voyons J’aime Clara, si c’est face si c’est pile, j’aime Augustine

Voyons J’aime Clara, si c’est face si c’est pile, j’aime Augustine (1840-1841)

Paul Gavarni (French, 1804-1866)
Mais à ton âge, malheureux Je ne savais pas ce que c’était que des dettes

Mais à ton âge, malheureux Je ne savais pas ce que c’était que des dettes (1840-1841)

Paul Gavarni (French, 1804-1866)
Monter à cheval sur le cou d’un homme qu’on ne connait pas, t’appelle ça plaisanter

Monter à cheval sur le cou d’un homme qu’on ne connait pas, t’appelle ça plaisanter (1840)

Paul Gavarni (French, 1804-1866)
Tais-toi, moutard, faut laisser jaser l’autorité

Tais-toi, moutard, faut laisser jaser l’autorité (1840)

Paul Gavarni (French, 1804-1866)
Load MoreLoading...
View all 395 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro