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Gaspare Diziani - Kopf eines bärtigen Mannes mit Hut, Rückenansicht eines Mannes

Kopf eines bärtigen Mannes mit Hut, Rückenansicht eines Mannes

Gaspare Diziani (Italian, 1689-1767)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1767 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Gaspare Diziani was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. The artist's canvas is the largest painting of the Hermitage Museum in St. Petersburg.

His earliest training was in his native town of Belluno with Antonio Lazzarini. He then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. His career largely overlapped with Lazzarini and Ricci's fellow pupil, Giambattista Tiepolo, who was seven years his elder.

Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of Santo Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Diziani's celerity and technical assurance are evident from preparatory oil sketches, where color has been applied in rapid and spirited strokes.

He also worked as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, in conjunction with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a "magnificent decoration for the church of San Lorenzo in Damaso". This work is now known only through an engraving by Claude Vasconi.

His pupils included Pietro Edwards and Jacopo Marieschi (1711–1794). His son, Antonio Diziani, painted interior and exterior vedute of mainly Venice. He died in Venice.

More Artworks by Gaspare Diziani (View all 130 Artworks)

Venus, Merkur und Minerva (Scheinskulptur)

Venus, Merkur und Minerva (Scheinskulptur)

Gaspare Diziani (Italian, 1689-1767)
The Virgin Entrusting the Christ Child to Saint Francis of Assisi

The Virgin Entrusting the Christ Child to Saint Francis of Assisi (1689–1767)

Gaspare Diziani (Italian, 1689-1767)
Allegorische Figur auf einem Wagen

Allegorische Figur auf einem Wagen

Gaspare Diziani (Italian, 1689-1767)
Mars, Venezia und Neptun (Scheinskulptur)

Mars, Venezia und Neptun (Scheinskulptur)

Gaspare Diziani (Italian, 1689-1767)
Heiliger Hieronymus (Fragment)

Heiliger Hieronymus (Fragment)

Gaspare Diziani (Italian, 1689-1767)
Circumcision of Christ

Circumcision of Christ

Gaspare Diziani (Italian, 1689-1767)
Five statues

Five statues

Gaspare Diziani (Italian, 1689-1767)
The Assumption of the Virgin

The Assumption of the Virgin (circa 1734-1740)

Gaspare Diziani (Italian, 1689-1767)
Cupid and Psyche

Cupid and Psyche

Gaspare Diziani (Italian, 1689-1767)
Madonna mit dem Heiligen Spiridon und Demetrius

Madonna mit dem Heiligen Spiridon und Demetrius

Gaspare Diziani (Italian, 1689-1767)
Putten verehren das heilige Sakrament

Putten verehren das heilige Sakrament

Gaspare Diziani (Italian, 1689-1767)
The Adoration of the Lamb. Study

The Adoration of the Lamb. Study

Gaspare Diziani (Italian, 1689-1767)
Alexander und die Familie des Darius

Alexander und die Familie des Darius (ca. 1748)

Gaspare Diziani (Italian, 1689-1767)
Athene weist einem Jüngling den Weg der Tugend

Athene weist einem Jüngling den Weg der Tugend

Gaspare Diziani (Italian, 1689-1767)
Tavern scene.

Tavern scene.

Gaspare Diziani (Italian, 1689-1767)
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