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Paul Gavarni - Jésus Comment oses-tu manger des champignons

Jésus Comment oses-tu manger des champignons

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

The Penitent Magdalene

The Penitent Magdalene

Paul Gavarni (French, 1804-1866)
L’Intolérance est fille des faux Dieux

L’Intolérance est fille des faux Dieux (1840)

Paul Gavarni (French, 1804-1866)
Il étudie sa médecine

Il étudie sa médecine (1839-1841)

Paul Gavarni (French, 1804-1866)
Comme ça doit vous coûter cher, Madame Hortense, une calèche comme ça, bleue avec les deux chevaux

Comme ça doit vous coûter cher, Madame Hortense, une calèche comme ça, bleue avec les deux chevaux

Paul Gavarni (French, 1804-1866)
C’est le papa de mossieu Arthur qui un mossieu embêtant Cré chien

C’est le papa de mossieu Arthur qui un mossieu embêtant Cré chien

Paul Gavarni (French, 1804-1866)
Si ce n’etait les tapis, bien des gens compteraient sans leur hôtesse

Si ce n’etait les tapis, bien des gens compteraient sans leur hôtesse (1839)

Paul Gavarni (French, 1804-1866)
N’est-ce pas, Maman, que le petit peigne à moustaches, que Cornelie a trouvé ce matin dans ta chambre, c’est pour moi

N’est-ce pas, Maman, que le petit peigne à moustaches, que Cornelie a trouvé ce matin dans ta chambre, c’est pour moi (1838-1840)

Paul Gavarni (French, 1804-1866)
Comment saviez-vous, Papa, que j’aimais Mosieu Léon. Parceque tu me parlais toujours de Mosieu Paul

Comment saviez-vous, Papa, que j’aimais Mosieu Léon. Parceque tu me parlais toujours de Mosieu Paul (1840)

Paul Gavarni (French, 1804-1866)
Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc

Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc (1838-1840)

Paul Gavarni (French, 1804-1866)
Dis-donc Miroux. dis-donc Miroux. dequoi donc que Madame Miroux te fait porter

Dis-donc Miroux. dis-donc Miroux. dequoi donc que Madame Miroux te fait porter (1838-1840)

Paul Gavarni (French, 1804-1866)
Paris, le 26 octobre, 1841

Paris, le 26 octobre, 1841

Paul Gavarni (French, 1804-1866)
M’ame Norine

M’ame Norine

Paul Gavarni (French, 1804-1866)
Le Débardeur – Ne me parlez pas des femmes en Carnaval pour s’amuser

Le Débardeur – Ne me parlez pas des femmes en Carnaval pour s’amuser (1840)

Paul Gavarni (French, 1804-1866)
Une mauvaise farce

Une mauvaise farce (1840)

Paul Gavarni (French, 1804-1866)
Qu’est-ce que tu as. aumoins on sait que c’est ton ami

Qu’est-ce que tu as. aumoins on sait que c’est ton ami (1840)

Paul Gavarni (French, 1804-1866)
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