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Paul Gavarni - Je t’avertis, Milord.si tu dines demain avec cette andalouse-làn c’est moi qui vous tremperai la soupe

Je t’avertis, Milord.si tu dines demain avec cette andalouse-làn c’est moi qui vous tremperai la soupe (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
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The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Mais qu’elle est donc la femme qui ne serait pas heureuse et fière de vous appartenir, mon Jules

Mais qu’elle est donc la femme qui ne serait pas heureuse et fière de vous appartenir, mon Jules (1840)

Paul Gavarni (French, 1804-1866)
Quand Maman aime bien petit Papa, elle appelle petit Papa, ma niniche

Quand Maman aime bien petit Papa, elle appelle petit Papa, ma niniche (1838-1840)

Paul Gavarni (French, 1804-1866)
Avec l’agrément de cet agréable muf’e-là, pourrait-on, Madame, pincer avec toi le prochain rigodon

Avec l’agrément de cet agréable muf’e-là, pourrait-on, Madame, pincer avec toi le prochain rigodon (1840)

Paul Gavarni (French, 1804-1866)
Après vous, Mossieu sic

Après vous, Mossieu sic

Paul Gavarni (French, 1804-1866)
Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête..

Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête.. (1838-1840)

Paul Gavarni (French, 1804-1866)
Rural pleasures, No. 6; I must look after my chicken . . .

Rural pleasures, No. 6; I must look after my chicken . . .

Paul Gavarni (French, 1804-1866)
Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc

Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc (1838-1840)

Paul Gavarni (French, 1804-1866)
Hier, nous avons été à Vincennes avec. tu sais. Lolotte

Hier, nous avons été à Vincennes avec. tu sais. Lolotte (1839-1841)

Paul Gavarni (French, 1804-1866)
Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho

Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho (1838-1840)

Paul Gavarni (French, 1804-1866)
Ne vas pas te tromper Si c’est un Mosieu qui t’ouvre, tu diras ce que je t’ai dit

Ne vas pas te tromper Si c’est un Mosieu qui t’ouvre, tu diras ce que je t’ai dit (1840-1841)

Paul Gavarni (French, 1804-1866)
The Street Sweeper (Le Cantonnier)

The Street Sweeper (Le Cantonnier) (c. 1848-1852)

Paul Gavarni (French, 1804-1866)
Comment saviez-vous, Papa, que j’aimais Mosieu Léon. Parceque tu me parlais toujours de Mosieu Paul

Comment saviez-vous, Papa, que j’aimais Mosieu Léon. Parceque tu me parlais toujours de Mosieu Paul (1840)

Paul Gavarni (French, 1804-1866)
Moi, j’ai été mariée à Saint-Leu

Moi, j’ai été mariée à Saint-Leu (circa 1861-1862)

Paul Gavarni (French, 1804-1866)
Le proces du ministre

Le proces du ministre

Paul Gavarni (French, 1804-1866)
Aglaé

Aglaé (circa 1859-1860)

Paul Gavarni (French, 1804-1866)
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