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Paul Gavarni - J’ai eu bien du chagrin allez Mon bon Henri, depuis que je ne vous ai vu j’ai perdu mosieu sic Fortuné

J’ai eu bien du chagrin allez Mon bon Henri, depuis que je ne vous ai vu j’ai perdu mosieu sic Fortuné

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
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The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Ô l’amour d’une femme Ô ineffable chose

Ô l’amour d’une femme Ô ineffable chose (1839-1841)

Paul Gavarni (French, 1804-1866)
Machère, comment peux-tu supporter un homme qui pipe toute la journée dans des horreurs de machines comme ça.

Machère, comment peux-tu supporter un homme qui pipe toute la journée dans des horreurs de machines comme ça. (1839-1841)

Paul Gavarni (French, 1804-1866)
Mon petit homme faut être raisonnable

Mon petit homme faut être raisonnable

Paul Gavarni (French, 1804-1866)
Un petit homme qui avait l’air si sentimental

Un petit homme qui avait l’air si sentimental

Paul Gavarni (French, 1804-1866)
Article 212 du Code civil.

Article 212 du Code civil. (1839-1841)

Paul Gavarni (French, 1804-1866)
Donation entre vifs.

Donation entre vifs. (1839-1841)

Paul Gavarni (French, 1804-1866)
On cause affaires

On cause affaires

Paul Gavarni (French, 1804-1866)
Petit amour comment s’appelle Madame votre maman Maman n’est pas une dame Monsieur, c’est une demoiselle

Petit amour comment s’appelle Madame votre maman Maman n’est pas une dame Monsieur, c’est une demoiselle (1838-1840)

Paul Gavarni (French, 1804-1866)
Masks and faces; What is done in the best society. To you the band, to me the sales pitch

Masks and faces; What is done in the best society. To you the band, to me the sales pitch

Paul Gavarni (French, 1804-1866)
Quand on dit qu’on a une femme, ça veut dire qu’une femme vous a

Quand on dit qu’on a une femme, ça veut dire qu’une femme vous a (1840-1841)

Paul Gavarni (French, 1804-1866)
Paris, le 26 octobre, 1841

Paris, le 26 octobre, 1841

Paul Gavarni (French, 1804-1866)
Bonne renommée vaut mieux que balcon doré

Bonne renommée vaut mieux que balcon doré

Paul Gavarni (French, 1804-1866)
Bel ange vos cigares sont bons, mais je les trouve durs

Bel ange vos cigares sont bons, mais je les trouve durs

Paul Gavarni (French, 1804-1866)
Est-il, Dieu permis, d’avoir des pensées comme ça sur la mère de son petit Joseph

Est-il, Dieu permis, d’avoir des pensées comme ça sur la mère de son petit Joseph (1840)

Paul Gavarni (French, 1804-1866)
Memories of Carnival, No. 2; A raffle

Memories of Carnival, No. 2; A raffle

Paul Gavarni (French, 1804-1866)
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