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J. J. Grandville - Il a empoigné son père

Il a empoigné son père (1831)

J. J. Grandville (French, 1803-1847)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1847 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
J. J. Grandville

Jean Ignace Isidore Gérard, generally known by the pseudonym of Jean-Jacques, J. J. Grandville or most commonly simply Grandville, was a French caricaturist.

He was born at Nancy, in northeastern France, to an artistic and theatrical family. The name "Grandville" was his grandparents' professional stage name. Grandville received his first instruction in drawing from his father, a painter of miniatures. At the age of twenty-one he moved to Paris, and soon afterwards published a collection of lithographs entitled Les Tribulations de la petite proprieté. He followed this with Les Plaisirs de tout âge and La Sibylle des salons (1827); but the work which first established his fame was Les Métamorphoses du jour (1828–29), a series of seventy scenes in which individuals with the bodies of men and faces of animals are made to play a human comedy. These drawings are remarkable for the extraordinary skill with which human characteristics are represented in animal facial features.

The success of this work led to his being engaged as artistic contributor to various periodicals, such as La Silhouette, L'Artiste, La Caricature, Le Charivari; and his political caricatures which were characterized by marvelous fertility of satirical humour, soon came to enjoy a general popularity.

After the reinstitution of prior censorship of caricature in 1835, Grandville turned almost exclusively to book illustration, supplying illustrations for various standard works, such as the songs of Béranger, the fables of La Fontaine, Don Quixote, Gulliver's Travels, Robinson Crusoe. He also continued to issue various lithographic collections, among which may be mentioned La Vie privée et publique des animaux, Les Cent Proverbes, Un Autre Monde and Les Fleurs animées.

Though the designs of Grandville are occasionally unnatural and absurd, they usually display keen analysis of character and marvellous inventive ingenuity, and his humour is always tempered and refined by delicacy of sentiment and a vein of sober thoughtfulness. He suffered increasingly from grave mental problems and died on 17 March 1847. He is buried in the Cimetière Nord of Saint-Mandé just outside Paris.

More Artworks by J. J. Grandville (View all 163 Artworks)

The Swallows

The Swallows (1836)

J. J. Grandville (French, 1803-1847)
Guimauve

Guimauve (1840s)

J. J. Grandville (French, 1803-1847)
Un mariage de raison

Un mariage de raison (1828-1829)

J. J. Grandville (French, 1803-1847)
Pour ma part, moi j’en réponds

Pour ma part, moi j’en réponds (1828-1829)

J. J. Grandville (French, 1803-1847)
Marguerite

Marguerite (1840s)

J. J. Grandville (French, 1803-1847)
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846 (ca. 1846)

J. J. Grandville (French, 1803-1847)
The Missionaries

The Missionaries (1836)

J. J. Grandville (French, 1803-1847)
Commerce anglais

Commerce anglais (1840)

J. J. Grandville (French, 1803-1847)
My cure

My cure (1836)

J. J. Grandville (French, 1803-1847)
Louis XI

Louis XI (1836)

J. J. Grandville (French, 1803-1847)
Psara

Psara (1836)

J. J. Grandville (French, 1803-1847)
Crown of Cornflowers

Crown of Cornflowers (1836)

J. J. Grandville (French, 1803-1847)
Nebuchadnezzar

Nebuchadnezzar (1836)

J. J. Grandville (French, 1803-1847)
Pavot

Pavot (1840s)

J. J. Grandville (French, 1803-1847)
Ecoute donc mon petit lapin

Ecoute donc mon petit lapin (1828-1829)

J. J. Grandville (French, 1803-1847)
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