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Léon Spilliaert - Het einde van een mooie dag – Figuur in tegenlicht

Het einde van een mooie dag – Figuur in tegenlicht (1912)

Léon Spilliaert (Belgian, 1881-1946)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1946 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Léon Spilliaert

Léon Spilliaert was a Belgian symbolist painter and graphic artist.

Spilliaert was born in Ostend, the oldest of seven children of Léonard-Hubert Spilliaert, a perfumer, and his wife Léonie (née Jonckheere). From childhood, he displayed an interest in art and drawing. A prolific doodler and autodidact, he was predominantly a self-taught artist. Sickly and reclusive, he spent most of his youth sketching scenes of ordinary life and the Belgian countryside.

When he was 21, Spilliaert went to work in Brussels for Edmond Deman, a publisher of the works of symbolist writers, which Spilliaert was to illustrate. He especially admired the work of Edgar Allan Poe.

Watercolor, gouache, pastel, and charcoal—often in combination—were the means by which he produced many of his best works, among which are a number of monochrome self-portraits executed in the early years of the twentieth century. Spilliaert's expressive use of black finds parallels in the work of Odilon Redon, who was a significant influence. Frequently depicting a lone figure in a dreamlike space, Spilliaert's paintings convey a sense of melancholy and silence.

His later work shows a concentration on seascapes. He died on 23 November 1946 in Brussels.

More Artworks by Léon Spilliaert (View all 214 Artworks)

Au temps que Nanette était perdue pl. 4

Au temps que Nanette était perdue pl. 4 (1931)

Léon Spilliaert (Belgian, 1881-1946)
Brise d’Ostende. Parfum exquis

Brise d’Ostende. Parfum exquis (1900-1901)

Léon Spilliaert (Belgian, 1881-1946)
Landschap voor ‘Au temps que Nanette était perdue’

Landschap voor ‘Au temps que Nanette était perdue’ (from 1930 until 1931)

Léon Spilliaert (Belgian, 1881-1946)
Calvarie en vagevuur te Oostende

Calvarie en vagevuur te Oostende (1908)

Léon Spilliaert (Belgian, 1881-1946)
Vrouw met baret

Vrouw met baret (1927)

Léon Spilliaert (Belgian, 1881-1946)
Kinderen op de duin

Kinderen op de duin (1905)

Léon Spilliaert (Belgian, 1881-1946)
Portret van mijn broer

Portret van mijn broer (1907)

Léon Spilliaert (Belgian, 1881-1946)
Het huis genaamd ‘De Preekstoel’ te Oostende

Het huis genaamd ‘De Preekstoel’ te Oostende (1911)

Léon Spilliaert (Belgian, 1881-1946)
Au temps que Nanette était perdue

Au temps que Nanette était perdue (1931)

Léon Spilliaert (Belgian, 1881-1946)
Les voeux de Nouvel An

Les voeux de Nouvel An (1918)

Léon Spilliaert (Belgian, 1881-1946)
Het bad

Het bad (1917)

Léon Spilliaert (Belgian, 1881-1946)
Carnaval

Carnaval (1918)

Léon Spilliaert (Belgian, 1881-1946)
Melancholie

Melancholie (1928)

Léon Spilliaert (Belgian, 1881-1946)
Au temps que Nanette était perdue

Au temps que Nanette était perdue (1931)

Léon Spilliaert (Belgian, 1881-1946)
Self Portrait with Blue Sketchbook

Self Portrait with Blue Sketchbook (1907)

Léon Spilliaert (Belgian, 1881-1946)
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