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Aert de Gelder - Hermanus Boerhaave (1668-1738), Professor of Medicine at the University of Leiden, with his Wife Maria Drolenvaux (1686-1746) and their Daughter Johanna Maria (1712-91)

Hermanus Boerhaave (1668-1738), Professor of Medicine at the University of Leiden, with his Wife Maria Drolenvaux (1686-1746) and their Daughter Johanna Maria (1712-91) (1720 - 1725)

Aert de Gelder (Dutch, 1645 - 1727)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1727 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Aert de Gelder

Aert de Gelder was a Dutch painter.
De Gelder was born and died in Dordrecht. He was one of Rembrandt’s last pupils while in Amsterdam, studying in his studio from 1661 to 1663. He was not only one of the most talented of Rembrandt’s pupils, but also one of his most devoted followers, for he was the only Dutch artist to paint in the tradition of Rembrandt's late style into the 18th century. Following Rembrandts lead, De Gelder would paint such artworks as "The Baptism of Christ" and "Ahimelech Giving the Sword of Goliath to David". Story telling, transparent emotionalism, and an emphasis on the humanity of biblical characters are the distinguishing elements of this style. This contrasted with the courtly and distant emotions and imagery of other artists, even in the Renaissance period.

As author of biblical scenes and portraits of his style was inspired by Rembrandt's, using his artistic ideas, well into the eighteenth century, without being influenced by contemporary new fashions. From the artistic point of view his work can not be considered as passive imitation of the master, indeed it stands for inventiveness in the narrative, taste for the theatrical and a strong emotional charge of the characters. All these traits made him one of the most important interpreters of Dutch painting of the late seventeenth century.

More Artworks by Aert de Gelder (View all 21 Artworks)

Simeon’s Song of Praise

Simeon’s Song of Praise (c. 1700)

Aert de Gelder (Dutch, 1645 - 1727)
Allegory on Peace

Allegory on Peace (1685)

Aert de Gelder (Dutch, 1645 - 1727)
Self-Portrait as Zeuxis Portraying an Ugly Old Woman

Self-Portrait as Zeuxis Portraying an Ugly Old Woman (1685)

Aert de Gelder (Dutch, 1645 - 1727)
Portrait of a Man

Portrait of a Man (1689)

Aert de Gelder (Dutch, 1645 - 1727)
Christ before Caiphas

Christ before Caiphas (1700 - 1727)

Aert de Gelder (Dutch, 1645 - 1727)
Christ Blessing The Children

Christ Blessing The Children

Aert de Gelder (Dutch, 1645 - 1727)
King David

King David (1680 - 1685)

Aert de Gelder (Dutch, 1645 - 1727)
Female Nude Reclining with Arm Raised

Female Nude Reclining with Arm Raised (c. 1665)

Aert de Gelder (Dutch, 1645 - 1727)
Judah and Tamar

Judah and Tamar (c. 1700)

Aert de Gelder (Dutch, 1645 - 1727)
King Ahasuerus Presents Mordecai with his Ring

King Ahasuerus Presents Mordecai with his Ring (1681 – 1684)

Aert de Gelder (Dutch, 1645 - 1727)
Ester y Mardoqueo escribiendo la primera carta del Purim (Ester, 9;20-21)

Ester y Mardoqueo escribiendo la primera carta del Purim (Ester, 9;20-21)

Aert de Gelder (Dutch, 1645 - 1727)
Jacob Shown Joseph’s Blood-Stained Coat

Jacob Shown Joseph’s Blood-Stained Coat (c. 1660)

Aert de Gelder (Dutch, 1645 - 1727)
The Arrest of Christ

The Arrest of Christ (1710 - 1727)

Aert de Gelder (Dutch, 1645 - 1727)
The Forecourt of a Temple

The Forecourt of a Temple (1679)

Aert de Gelder (Dutch, 1645 - 1727)
The Banquet of Ahasuerus

The Banquet of Ahasuerus (1680s)

Aert de Gelder (Dutch, 1645 - 1727)
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