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Bernardo Strozzi - Head Of A Bearded Man

Head Of A Bearded Man

Bernardo Strozzi (Italian, 1581-1644)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1644 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Bernardo Strozzi, named il Cappuccino and il Prete Genovese was an Italian Baroque painter and engraver. A canvas and fresco artist, his wide subject range included history, allegorical, genre and portrait paintings as well as still lifes. Born and initially mainly active in Genoa, he worked in Venice in the latter part of his career. His work exercised considerable influence on artistic developments in both cities. He is considered a principal founder of the Venetian Baroque style. His powerful art stands out by its rich and glowing colour and broad, energetic brushstrokes.

Strozzi was born in Genoa. He is not believed to be related to the Florentine Strozzi family. Bernardo Strozzi initially trained in the workshop of Cesare Corte, a minor Genoese painter whose work reflected the late Mannerist style of Luca Cambiaso. He subsequently joined the workshop of Pietro Sorri, an innovative Sienese painter residing in Genoa from 1596 to 1598. Sorri is credited with leading Strozzi away from the artificial elegance of Cambiaso's late Mannerist style towards a greater naturalism. In 1598, at the age of 17, Strozzi joined a Capuchin monastery, a reformist offshoot of the Franciscan order. During this time he likely painted devotional compositions for the order, including many scenes with St. Francis of Assisi whose life and deeds formed the inspiration of the order. While a monk of the Capuchin monastery of San Barnaba he came to be called by the nickname 'il Cappuccino' (the 'Capuchin monk'). Since he was allowed to abandon his Capuchin habit for that of a priest, he was also known as il prete genovese (the 'genovese priest').

When his father died around 1608, Strozzi left the Capuchin monastery to care for his mother and unmarried sister. He supported his family through his paintings. Strozzi's career took off during the next decade and Genoa's powerful Doria and Centurione families became his patrons. Bernardo Strozzi was able to secure commissions for grand mural decorations, which culminated in the important frescoes in the choir of the San Domenico church, commissioned by members of the Doria family, Giovanni Carlo and his cousin Giovanni Stefano. The work is now almost entirely destroyed and is only known through a preparatory oil bozzetto for the vault depicting ‘’The Vision of Saint Dominic (Paradise)’’, located at the Museo dell’Accademia Ligustica in Genoa. It is believed that from the end of April until the end of July 1625 he resided in Rome, to which he had been summoned by the friars of his order to support their attempt to create a stronger Capuchin presence in the papal city.

From the year 1625 Strozzi's relationship with the Capuchin order became strained. The order accused him of having committed a no longer known act that had purportedly caused 'disgrace to his sacred habit'. Some authors state that the act was the illegal practice of painting beyond the convent's walls. It is known that his Capuchin superiors condemned the secular paintings he was making such as his portraits and genre paintings. The conflict came to a head in 1630 when Strozzi refused to go back to the monastery following his mother's death and his sister's marriage. His superiors then had him imprisoned. His arrest lasted for about 17 to 18 months.

By 1632-1633 the artist had reemerged in Venice where he had been allowed to work and live. Strozzi was able to build a strong reputation within two years, despite not being a native Venetian. He gradually gained recognition as one of the leading artists of his age. The Doge of Venice Francesco Erizzo became one of his most prominent patrons. Strozzi likely painted the Doge's portrait soon after he arrived in Venice. Other patrons included the Catholic Cardinal and Patriarch of Venice Federico Baldissera Bartolomeo Cornaro and some members of the prominent Grimani family, as well as prominent Venetian artists such as the musicians Claudio Monteverdi and Barbara Strozzi and the poet Giulio Strozzi (it is unclear whether the two families were closely related). The artist worked on important public commissions. He realised altarpieces in the Chiesa degli Incurabili and the Chiesa di San Nicolò da Tolentino and painted a tondo representing an Allegory of Sculpture for the reading room of the Biblioteca Marciana. Strozzi was allowed the use of the honorific Monsignor although he remained known generally under the popular il prete genovese.

At the end of his career he also worked as an engineer. The artist died in Venice in 1644.

More Artworks by Bernardo Strozzi (View all 41 Artworks)

St. Lawrence Distributing the Riches of the Church

St. Lawrence Distributing the Riches of the Church (c.1625)

Bernardo Strozzi (Italian, 1581-1644)
Half-Length Study of a Monk Holding a Book and a Long Implement

Half-Length Study of a Monk Holding a Book and a Long Implement (ca. 1637–40)

Bernardo Strozzi (Italian, 1581-1644)
St. Gerardo Sagredo, Bishop of Csanád

St. Gerardo Sagredo, Bishop of Csanád (1633)

Bernardo Strozzi (Italian, 1581-1644)
The Madonna Reading, With The Christ Child And Infant Saint John The Baptist

The Madonna Reading, With The Christ Child And Infant Saint John The Baptist

Bernardo Strozzi (Italian, 1581-1644)
Portrait of a man wearing a ruff

Portrait of a man wearing a ruff

Bernardo Strozzi (Italian, 1581-1644)
Study for St Francis of Assisi adoring the cross

Study for St Francis of Assisi adoring the cross (circa 1615)

Bernardo Strozzi (Italian, 1581-1644)
Joseph interpreting dreams

Joseph interpreting dreams

Bernardo Strozzi (Italian, 1581-1644)
Pietá

Pietá

Bernardo Strozzi (Italian, 1581-1644)
The Cook

The Cook (circa 1625)

Bernardo Strozzi (Italian, 1581-1644)
Saint Cecilia

Saint Cecilia

Bernardo Strozzi (Italian, 1581-1644)
Virgin and Child in Glory Worshipped by Two Monk Saints

Virgin and Child in Glory Worshipped by Two Monk Saints

Bernardo Strozzi (Italian, 1581-1644)
Allegorical Figure

Allegorical Figure (c. 1635)

Bernardo Strozzi (Italian, 1581-1644)
Allegorical Figure

Allegorical Figure (c. 1636)

Bernardo Strozzi (Italian, 1581-1644)
The Release Of St Peter

The Release Of St Peter (circa 1635)

Bernardo Strozzi (Italian, 1581-1644)
Salome

Salome (after 1630)

Bernardo Strozzi (Italian, 1581-1644)
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