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Edward Penfield - Harper’s November

Harper’s November (1894)

Edward Penfield (American, 1866 - 1925)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1925 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer. It is in the public domain in the United States because it was published or registered with the U.S. Copyright Office before Jan 1, 1926
Edward Penfield

Edward Penfield was an American illustrator in the era known as the "Golden Age of American Illustration" and he is considered the father of the American poster. His work has been included in almost every major book on American Illustration or the history of the poster. He is also a major figure in the evolution of graphic design.

He was born June 2, 1866 in Brooklyn, New York to Ellen Lock Moore and Josiah B. Penfield. He first studied at New York's Art Students League. He worked under George de Forest Brush, who was known for his romantic scenes of American Indian life. He first worked for Harper's Weekly and later became art director. He developed his own unique style of simplified figures with bold outlines in settings free of extraneous detail. He believed, "A design that needs study is not a poster, no matter how well executed." He wrote and published a book titled Holland Sketches, which was published by Scribner's in 1907.

Penfield lived in New Rochelle, New York, a popular art colony among actors, writers and artists of the period. The community was most well known for its unprecedented number of prominent American illustrators. He was one of the founding members of the New Rochelle Art Association which was organized in 1912.

His posters were bold and stood out from a distance with great clarity. As artists like Alphonse Mucha, Théophile Steinlen and Toulouse-Lautrec popularized the poster in Europe, Penfield accomplished the same feat in the United States. For his posters, Penfield utilized simple shapes and a limited palette of colors that lent themselves to the primitive methods of reproduction of the era.

More Artworks by Edward Penfield (View all 204 Artworks)

Collier’s, Industrial Number

Collier’s, Industrial Number (1901)

Edward Penfield (American, 1866 - 1925)
The doughboys make good

The doughboys make good (1918)

Edward Penfield (American, 1866 - 1925)
Cover for 1897 Calendar

Cover for 1897 Calendar (1896)

Edward Penfield (American, 1866 - 1925)
Collier’s, Vol XXVII

Collier’s, Vol XXVII (1890-1907)

Edward Penfield (American, 1866 - 1925)
Harper’s February

Harper’s February (1894)

Edward Penfield (American, 1866 - 1925)
Harper’s March

Harper’s March (1896)

Edward Penfield (American, 1866 - 1925)
Collier’s, the national. The house of devils.

Collier’s, the national. The house of devils. (1913)

Edward Penfield (American, 1866 - 1925)
Stirring times in Austria described by Mark Twain in Harper’s March

Stirring times in Austria described by Mark Twain in Harper’s March (1898)

Edward Penfield (American, 1866 - 1925)
Golfer seated by clubs

Golfer seated by clubs (1899)

Edward Penfield (American, 1866 - 1925)
The summer-porch number of the Ladies’ home journal

The summer-porch number of the Ladies’ home journal (1908)

Edward Penfield (American, 1866 - 1925)
Ye colonial tea

Ye colonial tea (1896)

Edward Penfield (American, 1866 - 1925)
Harper’s Weekly, Christmas 1899

Harper’s Weekly, Christmas 1899 (1899)

Edward Penfield (American, 1866 - 1925)
Harper’s February

Harper’s February (1896)

Edward Penfield (American, 1866 - 1925)
Root

Root (1915)

Edward Penfield (American, 1866 - 1925)
Harper’s for July

Harper’s for July (1892)

Edward Penfield (American, 1866 - 1925)
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