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Giovanni Battista Borra - Gierusalemme

Gierusalemme (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1770 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Giovanni Battista Borra was an Italian architect, engineer and architectural draughtsman.

Borra was born in Dogliani. Studying under Bernardo Antonio Vittone from 1733 to 1736 (producing 10 plates for his teacher's Istruzione elementari per indirizzo de'giovani allo studio dell'architettura civile, published in Lugano in 1760), in 1748 he published a work of his own. This was a handbook on buildings' stability, practical in tone. He met Robert Wood in Rome, and joined his 1750–51 antiquarian expedition to Asia Minor and Syria as its architectural draughtsman before returning with Wood to England.

There he used his sketchbooks (now in the library of the Society for the Promotion of Hellenic Studies, London) to produce the original drawings (now in the Royal Institute of British Architects) for Wood's The Ruins of Balbec and The Ruins of Palmyra, and from 1752 to 1760 carried out commissions for English patrons. These works and their images led to motifs from Baalbek and Palmyra becoming fashionable for ceiling and interior decorations in England and Italy (Borra used them, for example, in his own work on the south facade of the Palazzo Isnardi and the interior decoration of its Sala d'Ercole and Sala di Diana, on the piano nobile). He is thought to have died in Turin.

More Artworks by Giovanni Battista Borra (View all 97 Artworks)

An Altar at Delos

An Altar at Delos (1751)

Giovanni Battista Borra (Italian, 1713 – 1770)
Is’Tmo e Penisola di Cizico

Is’Tmo e Penisola di Cizico (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Second Theater of Laodicea and Details of a Composite Order

Plan of the Second Theater of Laodicea and Details of a Composite Order (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of Lake Tiberias

Plan of Lake Tiberias (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus

Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna

Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Temple of Artemis at Ephesus

Plan of the Temple of Artemis at Ephesus (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Is’Tmo di Cizico unito al Continente

Is’Tmo di Cizico unito al Continente (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Reggio di Calabria

Reggio di Calabria (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Sepolcro di Absalon

Sepolcro di Absalon (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Frieze and Capitals (

Frieze and Capitals ( (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of Scutari (Ancient Chrysopolis, Now Called Uskudar)

View of Scutari (Ancient Chrysopolis, Now Called Uskudar) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Aquedotto Angolare

Aquedotto Angolare (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Door in the Corinthian Order from Aphrodisias (now Geyve)

Door in the Corinthian Order from Aphrodisias (now Geyve) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Frieze and Capital of the Ionic Temple at Toreh

Frieze and Capital of the Ionic Temple at Toreh (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View all 97 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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