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John George Brown - Fingers Before Forks

Fingers Before Forks (circa 1860-1864)

John George Brown (American, 1831-1913)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1913 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer. It is in the public domain in the United States because it was published or registered with the U.S. Copyright Office before Jan 1, 1926
John George Brown

John George Brown was a British citizen and an American painter who specialized in genre scenes.

John George Brown was born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904.

Around 1855, he worked for the owner of the Brooklyn Glass Company as a glassblower, and later married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. He established a studio in 1860 and, in 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his idealized depictions of street urchins in New York (bootblacks, street musicians, posy sellers, newsboys, etc.).

His Passing Show (Paris, Salon, 1877) and Street Boys at Play (Paris Exhibition, 1900) are good examples of his popular talent. Brown's art is best characterized as British genre paintings adapted to American subjects. Essentially literary, Brown's paintings are executed with precise detail, but poor in color, and more popular with the general public than with connoisseurs. His paintings were quite popular with wealthy collectors. Many of Brown's paintings were reproduced as lithographs and widely distributed with packaged teas. He also painted some landscapes, just for pleasure.

He died at his home in New York City on February 8, 1913.

More Artworks by John George Brown (View all 60 Artworks)

The Bootblack’s Best Friend

The Bootblack’s Best Friend

John George Brown (American, 1831-1913)
The Rush For Evening Papers

The Rush For Evening Papers (1912)

John George Brown (American, 1831-1913)
Parted

Parted

John George Brown (American, 1831-1913)
The Young Artist

The Young Artist (circa 1885)

John George Brown (American, 1831-1913)
School Bound

School Bound (1873)

John George Brown (American, 1831-1913)
Two Shoeshine Boys with a Dog

Two Shoeshine Boys with a Dog (circa 1900-05)

John George Brown (American, 1831-1913)
Picnic Party in the Woods

Picnic Party in the Woods (1872)

John George Brown (American, 1831-1913)
Boat Builder

Boat Builder (c. 1904)

John George Brown (American, 1831-1913)
Pegged Out

Pegged Out

John George Brown (American, 1831-1913)
Claiming The Shot; A Group Of Portraits After The Hunt In The Adirondacks

Claiming The Shot; A Group Of Portraits After The Hunt In The Adirondacks (1865)

John George Brown (American, 1831-1913)
Meditation

Meditation (ca. 1900–1910)

John George Brown (American, 1831-1913)
The Cider Mill

The Cider Mill (1880)

John George Brown (American, 1831-1913)
Camp in Vermont

Camp in Vermont (1879)

John George Brown (American, 1831-1913)
Who Do You Love

Who Do You Love (circa 1891-1892)

John George Brown (American, 1831-1913)
A Confab

A Confab (1902-03)

John George Brown (American, 1831-1913)
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