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Camille Pissarro - Field and Mill at Osny 

Field and Mill at Osny  (1884)

Camille Pissarro (French, 1830-1903)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1903 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Camille Pissarro

Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".

Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, Cézanne, Seurat, Gauguin, and van Gogh.

More Artworks by Camille Pissarro (View all 463 Artworks)

Maison Rondest à L’Hermitage (Pontoise)

Maison Rondest à L’Hermitage (Pontoise) (1882)

Camille Pissarro (French, 1830-1903)
Young Peasant Having Her Coffee

Young Peasant Having Her Coffee (1881)

Camille Pissarro (French, 1830-1903)
Bords Du Loing À Moret

Bords Du Loing À Moret (1901)

Camille Pissarro (French, 1830-1903)
Place du Carrousel,Paris

Place du Carrousel,Paris (1900)

Camille Pissarro (French, 1830-1903)
La rue Malpalue

La rue Malpalue

Camille Pissarro (French, 1830-1903)
Vue de Pontoise

Vue de Pontoise

Camille Pissarro (French, 1830-1903)
Houses and Palm Trees

Houses and Palm Trees (c.1855)

Camille Pissarro (French, 1830-1903)
La Seine À Port-Marly

La Seine À Port-Marly (circa 1872)

Camille Pissarro (French, 1830-1903)
Jardin de Kew, Londres, près d’un étang

Jardin de Kew, Londres, près d’un étang (1892)

Camille Pissarro (French, 1830-1903)
Jeune homme lisant (Georges Pissarro)

Jeune homme lisant (Georges Pissarro) (1889)

Camille Pissarro (French, 1830-1903)
The Bather

The Bather (1895)

Camille Pissarro (French, 1830-1903)
The Path to Les Pouilleux, Pontoise

The Path to Les Pouilleux, Pontoise

Camille Pissarro (French, 1830-1903)
Place du Théâtre Français, Paris; Rain

Place du Théâtre Français, Paris; Rain (1898)

Camille Pissarro (French, 1830-1903)
Cheval blanc devant une ferme

Cheval blanc devant une ferme (circa 1861-64)

Camille Pissarro (French, 1830-1903)
En landsbygade, Venezuela Caracas 1853

En landsbygade, Venezuela Caracas 1853 (1853)

Camille Pissarro (French, 1830-1903)
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