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Pierre-Auguste Renoir - Femme nue assise vue de trois-quarts (Baigneuse)

Femme nue assise vue de trois-quarts (Baigneuse) (1915–19)

Pierre-Auguste Renoir (French, 1841-1919)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1919 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Pierre-Auguste Renoir

Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater talent for singing. His talent was encouraged by his teacher, Charles Gounod, who was the choir-master at the Church of St Roch at the time. However, due to the family's financial circumstances, Renoir had to discontinue his music lessons and leave school at the age of thirteen to pursue an apprenticeship at a porcelain factory.

Although Renoir displayed a talent for his work, he frequently tired of the subject matter and sought refuge in the galleries of the Louvre. The owner of the factory recognized his apprentice's talent and communicated this to Renoir's family. Following this, Renoir started taking lessons to prepare for entry into Ecole des Beaux Arts.

In 1862, he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet. At times, during the 1860s, he did not have enough money to buy paint. Renoir had his first success at the Salon of 1868 with his painting Lise with a Parasol (1867), which depicted Lise Tréhot, his lover at the time. Although Renoir first started exhibiting paintings at the Paris Salon in 1864, recognition was slow in coming, partly as a result of the turmoil of the Franco-Prussian War.

Renoir was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet. After a series of rejections by the Salon juries, he joined forces with Monet, Sisley, Pissarro, and several other artists to mount the first Impressionist exhibition in April 1874, in which Renoir displayed six paintings. Although the critical response to the exhibition was largely unfavorable, Renoir's work was comparatively well received. That same year, two of his works were shown with Durand-Ruel in London.

In 1890, he married Aline Victorine Charigot, a dressmaker twenty years his junior, who, along with a number of the artist's friends, had already served as a model for Le Déjeuner des canotiers (Luncheon of the Boating Party – she is the woman on the left playing with the dog) in 1881, and with whom he had already had a child, Pierre, in 1885. After his marriage, Renoir painted many scenes of his wife and daily family life including their children and their nurse, Aline's cousin Gabrielle Renard. The Renoirs had three sons: Pierre Renoir (1885-1952), who became a stage and film actor; Jean Renoir (1894-1979), who became a filmmaker of note; and Claude Renoir (1901-1969), who became a ceramic artist.

Around 1892, Renoir developed rheumatoid arthritis. In 1907, he moved to the warmer climate of "Les Collettes," a farm at the village of Cagnes-sur-Mer, Provence-Alpes-Côte d'Azur, close to the Mediterranean coast. Renoir painted during the last twenty years of his life even after his arthritis severely limited his mobility. He developed progressive deformities in his hands and ankylosis of his right shoulder, requiring him to change his painting technique.

Renoir died at Cagnes-sur-Mer on 3 December 1919.

More Artworks by Pierre-Auguste Renoir (View all 686 Artworks)

Femme aux longs cheveux

Femme aux longs cheveux (1895)

Pierre-Auguste Renoir (French, 1841-1919)
Landscape

Landscape (1890)

Pierre-Auguste Renoir (French, 1841-1919)
Le petit graçon au porte-plume (Claude Renoir Écrivant)

Le petit graçon au porte-plume (Claude Renoir Écrivant) (1905)

Pierre-Auguste Renoir (French, 1841-1919)
Paysage

Paysage

Pierre-Auguste Renoir (French, 1841-1919)
Deux femmes dans le jardin de Cagnes

Deux femmes dans le jardin de Cagnes (1918)

Pierre-Auguste Renoir (French, 1841-1919)
Vue De Montmartre

Vue De Montmartre (1885)

Pierre-Auguste Renoir (French, 1841-1919)
Le Châlet De Blanche Pierson À Pourville

Le Châlet De Blanche Pierson À Pourville (1882)

Pierre-Auguste Renoir (French, 1841-1919)
Autumn Landscape (Paysage d’automne)

Autumn Landscape (Paysage d’automne) (c. 1884)

Pierre-Auguste Renoir (French, 1841-1919)
Portrait De Femme Au Bandeau Vert

Portrait De Femme Au Bandeau Vert (circa 1905)

Pierre-Auguste Renoir (French, 1841-1919)
Nature Morte Au Fruits

Nature Morte Au Fruits

Pierre-Auguste Renoir (French, 1841-1919)
Young Girl in a Blue Dress

Young Girl in a Blue Dress (ca. 1890)

Pierre-Auguste Renoir (French, 1841-1919)
Étude; Tête D’enfant (Coco)

Étude; Tête D’enfant (Coco)

Pierre-Auguste Renoir (French, 1841-1919)
Narcisses—Fragment (Frise du second cadre de Madame de Galéa)

Narcisses—Fragment (Frise du second cadre de Madame de Galéa) (circa 1915)

Pierre-Auguste Renoir (French, 1841-1919)
Sucrier, gobelet, cuillère et couteau

Sucrier, gobelet, cuillère et couteau (circa 1910)

Pierre-Auguste Renoir (French, 1841-1919)
Little Girl With A Hat (Jeune Fille Au Chapeau)

Little Girl With A Hat (Jeune Fille Au Chapeau) (1894)

Pierre-Auguste Renoir (French, 1841-1919)
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