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Sir Edward Coley Burne-Jones - Female Nude – Study of a seated Figure

Female Nude – Study of a seated Figure

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1898 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Sir Edward Coley Burne-Jones

Sir Edward Coley Burne-Jones was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.

Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor church at Cheddleton Staffordshire. Burne-Jones's early paintings show the inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice".

In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. Burne-Jones worked in crafts; including designing ceramic tiles, jewellery, tapestries and mosaics.

More Artworks by Sir Edward Coley Burne-Jones (View all 302 Artworks)

The Building of the Temple

The Building of the Temple

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Portrait of Fanny Cornforth, reclining in a chair, for ‘Laus Veneris’

Portrait of Fanny Cornforth, reclining in a chair, for ‘Laus Veneris’ (1861)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
St George Series – Study of the Princess for ‘The Princess chained to the Tree’

St George Series – Study of the Princess for ‘The Princess chained to the Tree’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Fair Rosamund and Queen Eleanor

Fair Rosamund and Queen Eleanor (1862-63)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Angels of the Hierarchy – Dominions

The Angels of the Hierarchy – Dominions (1873)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Rose Garden – Study of Georgiana Burne-Jones

The Rose Garden – Study of Georgiana Burne-Jones

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Cupid and Psyche – Two Studies of Venus on the Margin of the Sea and Psyche at the Bath

Cupid and Psyche – Two Studies of Venus on the Margin of the Sea and Psyche at the Bath

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Fates – Study of Drapery for Figure of Clotho

The Fates – Study of Drapery for Figure of Clotho

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Eve

Eve (1862)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Salvator Mundi

Salvator Mundi (1882)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Cupid and Psyche

Cupid and Psyche (ca. 1870)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
A Seated Couple, Embracing

A Seated Couple, Embracing (ca. 1865)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Seated Woman

Seated Woman (1864)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Three Figures

Three Figures (1865)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Adoration of the Magi

The Adoration of the Magi (1904)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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