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Sir Edward Coley Burne-Jones - Female – Head Study of a Woman

Female – Head Study of a Woman

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1898 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Sir Edward Coley Burne-Jones

Sir Edward Coley Burne-Jones was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.

Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor church at Cheddleton Staffordshire. Burne-Jones's early paintings show the inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice".

In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. Burne-Jones worked in crafts; including designing ceramic tiles, jewellery, tapestries and mosaics.

More Artworks by Sir Edward Coley Burne-Jones (View all 302 Artworks)

The Prince entering the Briar Wood

The Prince entering the Briar Wood (1869)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Black Archangel

Black Archangel

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Study of Christ for ‘The Ascension’

Study of Christ for ‘The Ascension’ (1874)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Helen’s Tears

Helen’s Tears

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Portrait of Georgiana Burne-Jones

Portrait of Georgiana Burne-Jones

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Beauty

Beauty (1889)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Study for ‘Chaucer’s Dream of Good Women’

Study for ‘Chaucer’s Dream of Good Women’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Phyllis And Demophoon

Phyllis And Demophoon (1870)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Council Chamber

The Council Chamber (1892)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Astrologia

Astrologia

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Portrait of a Young Girl

Portrait of a Young Girl (1866–80)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Helen Captive in Burning Troy

Helen Captive in Burning Troy (1870-72)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Angel Playing on Bells

Angel Playing on Bells

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Love Song

The Love Song (1868–77)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Study for a draped female figure for ‘The Sleep of Arthur in Avalon’

Study for a draped female figure for ‘The Sleep of Arthur in Avalon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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