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Giovanni Battista Piazzetta - Feeding the Dog

Feeding the Dog (1682–1754)

Giovanni Battista Piazzetta (Italian, 1682-1754)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1754 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Giovanni Battista Piazzetta

Giovanni Battista Piazzetta (also called Giambattista Piazzetta or Giambattista Valentino Piazzetta was an Italian Rococo painter of religious subjects and genre scenes.

Piazzetta was born in Venice, the son of a sculptor Giacomo Piazzetta, from whom he had early training in wood carving. Starting in 1697 he studied with the painter Antonio Molinari. By Piazzetta's account, he studied under Giuseppe Maria Crespi while living in Bologna in 1703–05, although there is no record by Crespi of formal tutelage. Thanks to Crespi, Carlo Cignani's influence reached Piazzetta. Piazzetta did find inspiration in Crespi's art, in which the chiaroscuro of Caravaggio was transformed into an idiom of graceful charm in his pictures of common folk. He was also greatly impressed by the altarpieces created by another Bolognese painter of a half-century earlier, Guercino.

Around 1710, he returned to Venice. There he won recognition as a leading artist despite his limited output and his unassuming nature, but he ultimately was less patronized, both in Venice and especially abroad, than two other eminent stars in Venetian late-Baroque/Rococo, Ricci and Tiepolo. yet Piazzeta's range of topics was broader than that of these artists; Tiepolo, for example, never painted genre paintings and restricted himself to grand history and religious altarpieces. Ricci and Tiepolo had a luminous palette and facile ease that allowed them to carpet meters of ceiling with frescoes, although with a superficiality and glamor that is absent from Piazzetta's darker and more intimate depictions. Nonetheless, Tiepolo, who collaborated with Piazzetta on some projects, was greatly influenced by the older artist; in turn, the luminosity and brilliance of Tiepolo's palette influenced Piazzetta in his later years.

Piazzetta created an art of warm, rich color and a mysterious poetry. He often depicted peasantry, even if often in a grand fashion. He was highly original in the intensity of color he sometimes used in his shadows, and in the otherworldly quality he gave to the light which throws part of a composition into relief. The gestures and glances of his protagonists hint at unseen dramas, as in one of his best-known paintings, The Soothsayer (1740, now in Gallerie dell'Accademia, Venice). He brought similar elusiveness to works of a religious nature, such as the Sotto in su Glory of St. Dominic in the Church of Santi Giovanni e Paolo.

Also notable are his many carefully rendered drawings of half-length figures or groups of heads. Usually in charcoal or black chalk with white heightening on gray paper, these are filled with the same spirit that animates his paintings, and were purchased by collectors as independent works. He also produced engravings.

In 1750 Piazzetta became the first director of the newly founded Accademia di Belle Arti di Venezia, and he devoted the last few years of his life to teaching. He was elected a member of the Bolognese Accademia Clementina in 1727. Among the painters in his studio were Domenico Maggiotto, Francesco Dagiu (il Capella), Johann Heinrich Tischbein, Egidio Dall'Oglio, and Antonio Marinetti. The engraver Marco Pitteri was affiliated with his studio, and engraved many of his works. Among younger painters who emulated his style are Giovanni Battista Pissati,. Giulia Lama, Federico Bencovich, and Francesco Polazzo (1683–1753). He died in Venice on April 28, 1754.

More Artworks by Giovanni Battista Piazzetta (View all 45 Artworks)

Man with a Fur Cap

Man with a Fur Cap (c. 1730)

Giovanni Battista Piazzetta (Italian, 1682-1754)
The Beggar Boy (The Young Pilgrim)

The Beggar Boy (The Young Pilgrim) (1738-39)

Giovanni Battista Piazzetta (Italian, 1682-1754)
A Flying Angel (recto)

A Flying Angel (recto) (1723-1727)

Giovanni Battista Piazzetta (Italian, 1682-1754)
A Young Woman Buying a Pink from a Young Man

A Young Woman Buying a Pink from a Young Man (c. 1740)

Giovanni Battista Piazzetta (Italian, 1682-1754)
A Portrait of Rosa with a Shoulder Stick

A Portrait of Rosa with a Shoulder Stick (c. 1735)

Giovanni Battista Piazzetta (Italian, 1682-1754)
A Young Man in a Broad Hat

A Young Man in a Broad Hat (c. 1745)

Giovanni Battista Piazzetta (Italian, 1682-1754)
Saint Margaret of Cortona

Saint Margaret of Cortona (1737)

Giovanni Battista Piazzetta (Italian, 1682-1754)
Head of a Young Man in Profile with a Book

Head of a Young Man in Profile with a Book (c. 1730/40s)

Giovanni Battista Piazzetta (Italian, 1682-1754)
David And Goliath

David And Goliath

Giovanni Battista Piazzetta (Italian, 1682-1754)
Study of Lower Leg and Right Foot

Study of Lower Leg and Right Foot (1682–1754)

Giovanni Battista Piazzetta (Italian, 1682-1754)
The Good Samaritan

The Good Samaritan

Giovanni Battista Piazzetta (Italian, 1682-1754)
Saint Christopher Carrying the Infant Christ

Saint Christopher Carrying the Infant Christ (1730s)

Giovanni Battista Piazzetta (Italian, 1682-1754)
The Supper at Emmaus

The Supper at Emmaus (c. 1720)

Giovanni Battista Piazzetta (Italian, 1682-1754)
Head of a young soldier

Head of a young soldier (ca. 1740)

Giovanni Battista Piazzetta (Italian, 1682-1754)
Head of a young man

Head of a young man (ca. 1745)

Giovanni Battista Piazzetta (Italian, 1682-1754)
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