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Robert Smirke - Falstaff rebuked

Falstaff rebuked (1795)

Robert Smirke (English, 1752 - 1845)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1845 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Robert Smirke

Robert Smirke RA was an English painter and illustrator, specialising in small paintings showing subjects taken from literature. He was a member of the Royal Academy.

Smirke was born at Wigton near Carlisle, the son of a travelling artist. When he was twelve he was apprenticed to a heraldic painter in London, and at the age of twenty began to study at the Royal Academy Schools.

In 1775 he became a member of the Incorporated Society of Artists, with which he began to exhibit by sending five works; he showed works there again in 1777 and 1778. In 1786 he exhibited Narcissus and The Lady and Sabrina ( a subject from Milton's Comus) at the Royal Academy; these were followed by many works, usually small in size, illustrative of the English poets, especially James Thomson.

In 1791 Smirke was elected an associate of the Royal Academy, in which year he exhibited "The Widow". He became a full academician in 1793, when he painted as his diploma work Don Quixote and Sancho. His last contribution to the academy, entitled Infancy, appeared in 1813, but he continued to exhibit occasionally elsewhere until 1834.

In 1804 he was nominated to succeed Joseph Wilton as keeper to the Royal Academy, but George III refused to sanction the appointment on account of his revolutionary political opinions, and the appointment went instead to Henry Fuseli.

In 1815 the British Institution upset many British artists by a preface to the catalogue of their exhibition of Old Masters, The Catalogues Raisonnés, implying rather too strongly that British artists had a lot to learn from them. Smirke is generally accepted as the author in 1815–16 of a series of satirical "Catalogues Raisonnés", which savagely lampooned the great and the good of British art patronage. Of his sons, Richard Smirke (1778–1815), was a notable antiquarian artist. Robert and Sydney both became notable architects and were both elected members of the Royal Academy. His fourth son, Edward was a noted lawyer and antiquary. There is a portrait of Smirke by John Jackson taken from an original picture by Mary Smirke, engraved by Charles Picart. Sir William John Newton painted several miniatures of him.

Smirke died at 3 Osnaburgh Terrace, Regent's Park, London, on 5 January 1845, aged 92, and was buried in Kensal Green Cemetery.

In Collection: Illustrations to Shakespeare (View all 1404)

Second part of King Henry the Fourth, act IV, scene IV the palace at Westminister

Second part of King Henry the Fourth, act IV, scene IV the palace at Westminister (19th century)

William Francis Starling (English, active 1833 - 1845)
Illustrations to Shakespeare Pl.030

Illustrations to Shakespeare Pl.030 (19th century)

John Massey Wright (English, 1777–1866)
Miss Ellen Terry as Beatrice, sketched at the Lyceum

Miss Ellen Terry as Beatrice, sketched at the Lyceum (1884)

Alma
Illustrations to As you like it Pl.01

Illustrations to As you like it Pl.01 (1901-1910)

Hugh Thomson (American, 1860-1920)
Othello, Emilia; She loved thee, cruel Moor

Othello, Emilia; She loved thee, cruel Moor (1917-1918)

Louis Rhead (American, 1857-1926)
Carl Grunert als König Lear [in Shakespeare’s King Lear]

Carl Grunert als König Lear [in Shakespeare’s King Lear]

Albert Henry Payne (English, 1812-1902)
Henry IV [pt. 1, act II, sc. 3, Hotspur and Lady Percy]

Henry IV [pt. 1, act II, sc. 3, Hotspur and Lady Percy]

John Massey Wright (English, 1777–1866)
A Midsummer night’s dream; Ill met by moonlight, proud Titania

A Midsummer night’s dream; Ill met by moonlight, proud Titania (1901)

Fanny Railton (English, 19th Century)
Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak

Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak

Edward Bird (English, 1772-1819)
Man displaying a locket to two women

Man displaying a locket to two women

John Augustus Atkinson (English, 1775-1830)
Hamlet [I, 4] Hamlet and ghost

Hamlet [I, 4] Hamlet and ghost (1800-1830)

J. Coghlan (English, 19th Century)
Illustrations to Shakespeare Pl.044

Illustrations to Shakespeare Pl.044 (19th century)

John Massey Wright (English, 1777–1866)
Act I, scene 3 [King Lear]

Act I, scene 3 [King Lear] (1892)

Herbert Railton (English, 1857 – 1910)
Scene from Much ado about nothing – act III, sc. 1

Scene from Much ado about nothing – act III, sc. 1

John Massey Wright (English, 1777–1866)
All’s well that ends well

All’s well that ends well (19th century)

William Francis Starling (English, active 1833 - 1845)
View all 1404 Artworks

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