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John Wootton - Fable XXII. The Goat Without a Beard

Fable XXII. The Goat Without a Beard (1793)

John Wootton (English, 1686–1765)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1765 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

John Wootton was an English painter of sporting subjects, battle scenes and landscapes, and illustrator.
Born in Snitterfield, Warwickshire (near Stratford-upon-Avon), he is best remembered as a pioneer in the painting of sporting subjects – together with Peter Tillemans and James Seymour – and was considered the finest practitioner of the genre in his day. As such, his paintings were very fashionable and were sought after by those among the highest strata of the British society. These included figures such as George II of Great Britain, Frederick, Prince of Wales, and the Duke of Marlborough.

It is likely that he received artistic training from Jan Wyck before 1700. Wootton may have begun life as a page to the family of the Dukes of Beaufort. His earliest surviving dated work is the equine portrait Bonny Black (1711). He remained active until his death in 1764, based in the capital of English horse racing at Newmarket, and producing large numbers of portraits of horses and also conversation pieces with a hunting or riding setting. He acquired a classicising landscape style based on that of Gaspard Dughet, which he used in some pure landscape paintings, as well as views of country houses and equine subjects. This introduced an alternative to the various Dutch and Flemish artists who had previously set the prevailing landscape style in Britain, and through intermediary artists such as George Lambert, the first British painter to base a career on landscape subjects, was to greatly influence other British artists such as Gainsborough.

He is now somewhat eclipsed in the field of animal paintings by the later George Stubbs (1724–1806), who is considered technically superior. John Wootton died in London on 13 November 1764.

More Illustrations in Book: Fables by John Gay (View all 51)

Fable XXVII. The Sick Man and the Angel

Fable XXVII. The Sick Man and the Angel (1793)

John Wootton (English, 1686–1765)
Fable XVI. The Pin and the Needle

Fable XVI. The Pin and the Needle (1793)

John Wootton (English, 1686–1765)
Fable XXIII. The Old Woman and Her Cats

Fable XXIII. The Old Woman and Her Cats (1793)

John Wootton (English, 1686–1765)
Fable XXI. The Rat-catcher and Cats

Fable XXI. The Rat-catcher and Cats (1793)

John Wootton (English, 1686–1765)
Fable XII. Cupid, Hymen, and Plutus

Fable XII. Cupid, Hymen, and Plutus (1793)

John Wootton (English, 1686–1765)
Fable XX. The Old Hen and the Cock

Fable XX. The Old Hen and the Cock (1793)

John Wootton (English, 1686–1765)
Fable XXXVIII. The Turkey and the Ant

Fable XXXVIII. The Turkey and the Ant (1793)

John Wootton (English, 1686–1765)
Fable XXVIII. The Persian, the Sun, and the Cloud

Fable XXVIII. The Persian, the Sun, and the Cloud (1793)

John Wootton (English, 1686–1765)
Fable XXIV. The Butterfly and the Snail

Fable XXIV. The Butterfly and the Snail (1793)

John Wootton (English, 1686–1765)
Fable XVIII. The Painter Who Pleased No Body and Every Body

Fable XVIII. The Painter Who Pleased No Body and Every Body (1793)

John Wootton (English, 1686–1765)
Fable L. The Hare and Many Friends

Fable L. The Hare and Many Friends (1793)

John Wootton (English, 1686–1765)
Fable XLII. The Jugglers

Fable XLII. The Jugglers (1793)

John Wootton (English, 1686–1765)
Fable XIV. The Monkey Who Had Seen the World

Fable XIV. The Monkey Who Had Seen the World (1793)

John Wootton (English, 1686–1765)
Fable XL. The Two Monkeys

Fable XL. The Two Monkeys (1793)

John Wootton (English, 1686–1765)
Fable XXXVII. The Farmer’s Wife and the Raven

Fable XXXVII. The Farmer’s Wife and the Raven (1793)

John Wootton (English, 1686–1765)
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