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Andō Hiroshige - Evening Bell at Mii Temple, from the series Eight Views of Omi Province

Evening Bell at Mii Temple, from the series Eight Views of Omi Province (late 1830s or early 1840s)

Andō Hiroshige (Japanese, 1797 – 1858)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1858 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Andō Hiroshige

Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists, such as Manet and Monet, collected and closely studied Hiroshige's compositions. Vincent van Gogh even went so far as to paint copies of two of Hiroshige's prints from One Hundred Famous Views of Edo.

More Artworks by Andō Hiroshige (View all 290 Artworks)

Oishi Leaving Home in Snow

Oishi Leaving Home in Snow (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
Kameyama

Kameyama (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Ejiri

Ejiri (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Sakanoshita

Sakanoshita (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Hara

Hara (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Ishibe

Ishibe (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Totsuka

Totsuka (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Tokaido gojusantsugi, Pl.49

Tokaido gojusantsugi, Pl.49 (1868-1912)

Andō Hiroshige (Japanese, 1797 – 1858)
Tokaido gojusantsugi, Pl.24

Tokaido gojusantsugi, Pl.24 (1868-1912)

Andō Hiroshige (Japanese, 1797 – 1858)
Kanaya

Kanaya (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Narumi

Narumi (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Challenging the Guards

Challenging the Guards (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
Gathering Shellfish at Low Tide at Susaki, from the series Famous Places in Edo

Gathering Shellfish at Low Tide at Susaki, from the series Famous Places in Edo (mid-1830s)

Andō Hiroshige (Japanese, 1797 – 1858)
View in Rain

View in Rain (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
Okitsu

Okitsu (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
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